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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-The Major Minor Blues Scale Lesson 1
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Playing Outside-The Major Minor Blues Scale Lesson 1

Playing Outside-The Major Minor Blues Scale Lesson 1

$9.99

SKU: 270 Category: Modern Improv Tags: major minor blues scale, modern improv, playing outside, video lesson
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Description

This is an exciting lesson!  Earlier this week I was working on a song that is in D minor.  I was playing over it with my typical blues scale type lines when I decided to add a few notes to it.  As I was playing around with it,  I realized that this was a  great sounding scale that sounds a bit outside and hip.  I was so into this scale that I played for hours and hours to that recording.  It sort of reminds me of the sax player Bill Evans and some of the chromatic type lines he plays.  I have never seen this scale before although it probably exists somewhere so I am calling it the Major Minor Blues scale  because it has elements of a minor blues scale and a major blues scale in it. (I was tempted to call it the Neffatonic scale)  If you listen to the clip of the lesson you can get an idea of some of the modern lines you can create with this major minor blues scale. I have included a page of cool lines that I came up with using it in D minor and C minor.  This is only the tip of the iceberg though.  Get this lesson for yourself and dive in to some totally killer lines to amaze your friends and family…….. (27 minute video & PDF)

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I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
I have NEVER seen material like yours.  Amazing!!
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Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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