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You are here: Home / Jazz Lessons / Playing Outside on Dominant Chords-4 Tonic System-Lesson 1
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Playing Outside on Dominant Chords-4 Tonic System-Lesson 1

Playing Outside on Dominant Chords-4 Tonic System-Lesson 1

$9.99

Categories: Jazz Lessons, Modern Improv Tags: four tonic system, jazz improvisation, modern lines, playing outside, tenor saxophone
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Description

In this lesson, we are taking a more in-depth look at the use of the four tonic system to play “outside” a key center.   I’ve made quite a few lessons over the years that looked at how to play outside on a minor tonality.  For this lesson, we take a look at one concept you can use to play outside on dominant chords.

We take a close look at the four tonic system and how to use it on a dominant chord.  I describe what the four tonic system is and have included a PDF sheet of great lines to practice in all 12 keys.  I demonstrate using them over an A7 groove on the tenor saxophone.  I teach you the importance of getting this concept down and practicing these lines. I teach how to resolve the notes and demonstrate weaving back and forth between the four tonic system and the home base scale of A Mixolydian.  

This is a great lesson if you struggle with adding variety and outside lines to your favorite dominant grooves.  Mastering these four tonic lines will give you access to a range of new sounds and lines that will make other musicians ask what you were playing and thinking on your last solo……..

(33 Minute Video Lesson, 12 PDF four tonic line sheets in all 12 keys)

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Lesson Sample

https://public.neffmusic.com/Playing_Outside_on_Dominant_Chords-4_Tonic_System-Lesson_1_Clip.mp4

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Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter

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