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You are here: Home / Jazz Lessons / Playing Outside on Dominant Chords-4 Tonic System-Lesson 1
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Playing Outside on Dominant Chords-4 Tonic System-Lesson 1

Playing Outside on Dominant Chords-4 Tonic System-Lesson 1

$9.99

Categories: Jazz Lessons, Modern Improv Tags: four tonic system, jazz improvisation, modern lines, playing outside, tenor saxophone
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Description

In this lesson, we are taking a more in-depth look at the use of the four tonic system to play “outside” a key center.   I’ve made quite a few lessons over the years that looked at how to play outside on a minor tonality.  For this lesson, we take a look at one concept you can use to play outside on dominant chords.

We take a close look at the four tonic system and how to use it on a dominant chord.  I describe what the four tonic system is and have included a PDF sheet of great lines to practice in all 12 keys.  I demonstrate using them over an A7 groove on the tenor saxophone.  I teach you the importance of getting this concept down and practicing these lines. I teach how to resolve the notes and demonstrate weaving back and forth between the four tonic system and the home base scale of A Mixolydian.  

This is a great lesson if you struggle with adding variety and outside lines to your favorite dominant grooves.  Mastering these four tonic lines will give you access to a range of new sounds and lines that will make other musicians ask what you were playing and thinking on your last solo……..

(33 Minute Video Lesson, 12 PDF four tonic line sheets in all 12 keys)

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Lesson Sample

https://public.neffmusic.com/Playing_Outside_on_Dominant_Chords-4_Tonic_System-Lesson_1_Clip.mp4

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Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

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