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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-NEW Altered Pentatonic Lesson
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Playing Outside-NEW Altered Pentatonic Lesson

Playing Outside-NEW Altered Pentatonic Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Modern Improv Tags: altered pentatonic, jazz improvisation, jazz instruction, modern improv, playing outside, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

In this lesson, we are taking a more in-depth look at the use of altered pentatonics to play “outside” a key center.   I made a lesson many years ago that was called “Playing Outside-Altered Pentatonic-One Degree of Separation” that looked at 5 altered pentatonic scales and how we could use them to play “Outside” on a minor tonality.

In this lesson, we take another look at those 5 original altered pentatonics but also look at 7 more altered pentatonics.  I demonstrate using them over a groove in D minor (C concert) as I apply the altered pentatonics to them on the soprano saxophone.  I teach you the importance of getting the scales down but also of hearing the altered notes and how they sound against the minor chords. I teach how to resolve the notes and demonstrate weaving back and forth between the altered pentatonic scale and the home base scale of D minor pentatonic.  

This is a great lesson if you struggle with adding variety and “outside” lines to your favorite minor grooves.  Mastering these altered pentatonics will give you access to a range of sounds that will make other musicians ask what you were playing and thinking on your last solo……..

(47 Minute Video Lesson, PDF of altered pentatonics in D minor)

1 review for Playing Outside-NEW Altered Pentatonic Lesson

  1. Avatar
    Rated 5 out of 5

    Jan (verified owner) – September 8, 2017

    Super lesson. You hear the sound of Branford Marsalis, Coltrane (My Favorite Things), Brecker come to life. Steve’s reference to Kenny Garrett playing Human Nature is most fitting. I remember a video where Kenny just kills it and Miles is so excited, he’s chewing his gum like there’s no tomorrow and sweat is dripping from beneath his wig. Moreover Steve sounds unleashed on some examples… great playing. Pentatonic 7 is what Herbie Hancock plays in Summertime (w. Joni Mitchell), I analysed it as augmented major 7 on the 7th of the 1 chord, and here you have it.

    • Steve

      Steve (verified owner) – September 9, 2017

      Thanks Jan! I just finished the book I talked about in this lesson. http://www.neffmusic.com/blog/2017/09/new-book-mastering-altered-pentatonics/ I’m very excited about it. Now comes the hard work of practicing it and trying to get these altered pentatonic patterns down! Glad you liked the lesson!

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Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
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By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
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I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
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I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
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I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
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