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Playing Outside-NEW Altered Pentatonic Lesson

Playing Outside-NEW Altered Pentatonic Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Modern Improv Tags: altered pentatonic, jazz improvisation, jazz instruction, modern improv, playing outside, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In this lesson, we are taking a more in-depth look at the use of altered pentatonics to play “outside” a key center.   I made a lesson many years ago that was called “Playing Outside-Altered Pentatonic-One Degree of Separation” that looked at 5 altered pentatonic scales and how we could use them to play “Outside” on a minor tonality.

In this lesson, we take another look at those 5 original altered pentatonics but also look at 7 more altered pentatonics.  I demonstrate using them over a groove in D minor (C concert) as I apply the altered pentatonics to them on the soprano saxophone.  I teach you the importance of getting the scales down but also of hearing the altered notes and how they sound against the minor chords. I teach how to resolve the notes and demonstrate weaving back and forth between the altered pentatonic scale and the home base scale of D minor pentatonic.  

This is a great lesson if you struggle with adding variety and “outside” lines to your favorite minor grooves.  Mastering these altered pentatonics will give you access to a range of sounds that will make other musicians ask what you were playing and thinking on your last solo……..

(47 Minute Video Lesson, PDF of altered pentatonics in D minor)

1 review for Playing Outside-NEW Altered Pentatonic Lesson

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    Rated 5 out of 5

    Jan (verified owner) – September 8, 2017

    Super lesson. You hear the sound of Branford Marsalis, Coltrane (My Favorite Things), Brecker come to life. Steve’s reference to Kenny Garrett playing Human Nature is most fitting. I remember a video where Kenny just kills it and Miles is so excited, he’s chewing his gum like there’s no tomorrow and sweat is dripping from beneath his wig. Moreover Steve sounds unleashed on some examples… great playing. Pentatonic 7 is what Herbie Hancock plays in Summertime (w. Joni Mitchell), I analysed it as augmented major 7 on the 7th of the 1 chord, and here you have it.

    • Steve

      Steve (verified owner) – September 9, 2017

      Thanks Jan! I just finished the book I talked about in this lesson. http://www.neffmusic.com/blog/2017/09/new-book-mastering-altered-pentatonics/ I’m very excited about it. Now comes the hard work of practicing it and trying to get these altered pentatonic patterns down! Glad you liked the lesson!

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Lesson Sample

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Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
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I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
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I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
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By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
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