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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-NEW Altered Pentatonic Lesson
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Playing Outside-NEW Altered Pentatonic Lesson

Playing Outside-NEW Altered Pentatonic Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Modern Improv Tags: altered pentatonic, jazz improvisation, jazz instruction, modern improv, playing outside, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

In this lesson, we are taking a more in-depth look at the use of altered pentatonics to play “outside” a key center.   I made a lesson many years ago that was called “Playing Outside-Altered Pentatonic-One Degree of Separation” that looked at 5 altered pentatonic scales and how we could use them to play “Outside” on a minor tonality.

In this lesson, we take another look at those 5 original altered pentatonics but also look at 7 more altered pentatonics.  I demonstrate using them over a groove in D minor (C concert) as I apply the altered pentatonics to them on the soprano saxophone.  I teach you the importance of getting the scales down but also of hearing the altered notes and how they sound against the minor chords. I teach how to resolve the notes and demonstrate weaving back and forth between the altered pentatonic scale and the home base scale of D minor pentatonic.  

This is a great lesson if you struggle with adding variety and “outside” lines to your favorite minor grooves.  Mastering these altered pentatonics will give you access to a range of sounds that will make other musicians ask what you were playing and thinking on your last solo……..

(47 Minute Video Lesson, PDF of altered pentatonics in D minor)

1 review for Playing Outside-NEW Altered Pentatonic Lesson

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    Rated 5 out of 5

    Jan (verified owner) – September 8, 2017

    Super lesson. You hear the sound of Branford Marsalis, Coltrane (My Favorite Things), Brecker come to life. Steve’s reference to Kenny Garrett playing Human Nature is most fitting. I remember a video where Kenny just kills it and Miles is so excited, he’s chewing his gum like there’s no tomorrow and sweat is dripping from beneath his wig. Moreover Steve sounds unleashed on some examples… great playing. Pentatonic 7 is what Herbie Hancock plays in Summertime (w. Joni Mitchell), I analysed it as augmented major 7 on the 7th of the 1 chord, and here you have it.

    • Steve

      Steve (verified owner) – September 9, 2017

      Thanks Jan! I just finished the book I talked about in this lesson. http://www.neffmusic.com/blog/2017/09/new-book-mastering-altered-pentatonics/ I’m very excited about it. Now comes the hard work of practicing it and trying to get these altered pentatonic patterns down! Glad you liked the lesson!

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Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
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Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
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Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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