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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-Chromaticism 1 Lesson
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Playing Outside-Chromaticism 1 Lesson

Playing Outside-Chromaticism 1 Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 029 Category: Modern Improv Tags: audio lesson, chromatic lines, jazz improvisation, playing outside, saxophone
  • Description
  • Reviews (1)
  • Lesson Sample

Description

This is the first of many lessons that will deal with playing outside of the chord changes. In this lesson I talk about using some simple chromatic patterns to create lines that create a modern “outside”sound to your solos. I teach how to practice these lines and also how to play them so they don’t sound contrived and lame. This lesson just deals with playing over a static modal sound like E minor. I demonstrate all the patterns on my tenor using a BP NY Link .108 with a custom baffle. this lesson comes with a pdf sheet of the 4 chromatic patterns used and 3 examples of how to use them.  (Audio & PDF)

1 review for Playing Outside-Chromaticism 1 Lesson

  1. Avatar
    Rated 5 out of 5

    TootSweet – July 20, 2009

    Switching from inside to outside playing is not easy for me, it just doesn’t sound natural or relaxed. One of the reasons is that I tend to play to complicated lines.

    Steve’s lesson showed me how you can play outside by inserting simple chromatic patterns. This makes it easier and more natural for me.

    Steve’s lessons typically start with a simple, but effective concept and progress step for step and in a logical way. He’s a great teacher.

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Lesson Sample

https://public.neffmusic.com/Playing%20Outside-Chromaticism%201%20clip.mp4

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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
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I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
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Jerry
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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