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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside Approach Note Matrix-Lesson 1
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Playing Outside Approach Note Matrix-Lesson 1

Playing Outside Approach Note Matrix-Lesson 1

$9.99

Category: Modern Improv Tags: approach notes, jazz improvisation, modern improv, sax, saxophone, video lesson
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Description

Playing Outside Approach Note Matrix-Lesson 1 is the first video lesson in an advanced series on using approach note patterns to play in a more “outside” modern sound. These type of lines are a common sound to players like Michael Brecker, Bob Berg, and others……… In this series of lessons we are exploring lines that approach all 12 chromatic notes as well as the upper extensions of chords.

In lesson 1, I give you one 4 note approach to work on in different interval schemes. Chromatic, Whole-tones, minor 3rds, major 3rds, 4ths, etc……… Once the approach is mastered for all 12 notes we then apply it to a D minor chord. We start with approaching the chord tones but then we move on to approaching the diatonic non-chord tones and figuring out how to add approaches to these lines to get us to the chord tones. This process creates longer approach lines that weave in and out of the tonality yet always seem to resolve. Lastly, we approach the other 4 notes that are the most dissonant to the minor key and work on ways to also resolve these lines to the chord tones. This is a great lesson for those who want a greater mastery of approach note lines and outside chromatic playing. I’ve been working on this concept myself for the last couple weeks and am discovering some great modern lines along the way.

Join me as we work through different approaches and add them together in future lesson to create chromatic lines that twist and turn through a tonality…….and sound amazing cool along the way! (35 Minute Video Lesson, PDF of approaches to all 12 notes as well as 12 sample resolution lines, C minor(concert) groove play along to practice to)

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I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

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