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You are here: Home / Jazz Lessons / Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 2
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Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 2

Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 2

$9.99

Categories: Jazz Lessons, Modern Improv Tags: 4 tonic, diminished scale, jazz improvisation, pentatonics, saxophone, video lesson
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Description

Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 2 is the second lesson in a new lesson series based on the concept of using a dominant b9 pentatonic scale in 4 different keys over a minor tonality to create hip modern lines.

These great sounding pentatonic lines are all taken out of the diminished scale and give you some great approaches to creating lines that sound “outside”. In this lesson, I include a PDF with the Dominant b9 Pentatonics written out in the 4 keys we will be working on in this lesson. I also have written these lines out in 8 different pentatonic patterns for you to practice.

In this 36 minute video lesson, I take you through the steps in learning these 4 pentatonic scales and then show you how to best practice them to the play along. I demonstrate them for you to the playalong with the soprano saxophone. This is a great lesson to give you a unique way to create lines over a minor groove or minor ii-V-i progression. It’s also a great lesson to give you more insight and use of the diminished scale while soloing. (36 Minute Video Lesson, PDF of patterns in Bb, Eb and C, Playalong in C Minor Concert)

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Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

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I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
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Michael Byington

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