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You are here: Home / Jazz Lessons / Bebop Scales / In A Mellow Tone Dominant Bebop Solo Lesson
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In A Mellow Tone Dominant Bebop Solo Lesson

In A Mellow Tone Dominant Bebop Solo Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 188 Category: Bebop Scales Tags: bebop scales, In a Mellow Tone, jazz improvisation, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

Taking an improvisational concept from the practice room to the gig is one of the hardest things to do.  We practice a scale or concept for hours and hours,  but then when we get on the gig or big concert, it all seems to fall apart.  In this video lesson,  I show you how to take the dominant bebop scale concept and use it in a real solo over “In a Mellow Tone” by Duke Ellington.  This is a great jazz standard to use to practice dominant bebop scales because 90% of the chords are dominant chords.  The goal of this solo was to use all of the bebop lines, links and resolution links that we have used in the “Mastering the Dominant Bebop Lesson Series 1-13”.  The solo is at an intermediate level and shows you how you can put together everything we are learning to create a very nice solo over a standard tune.

This 2 chorus written solo is just an example of how you can use the dominant bebop scale concept to create rich and lively jazz solos over standard tunes.  My goal in this lesson is not just to give you a cool solo to play but rather to show you how to  create and build your own solos from  the “Mastering the Dominant Bebop Scale” book yourself.  Writing and creating a solo is one of the best ways to test if you fully understand an improvisational concept.  As you work on this solo and listen to me teach on it, try to create one yourself and see what you can come up with!

This lesson comes with a PDF sheet of the solo in C,Bb and Eb.  I demonstrate it on the tenor saxophone with a florida link mouthpiece. (26 Minute Video Lesson)

2 reviews for In A Mellow Tone Dominant Bebop Solo Lesson

  1. Avatar
    Rated 5 out of 5

    Ron Bull – March 15, 2010

    I have played this tune with the group at the restaurant. Having worked on the concepts presented in this lesson, I was able to (for the 1st time) actually sound like I new what I was doing.
    After I downloaded this lesson back in February, I immediately had a newly found appreciation for Steve’s book “Mastering the Dominant Bebop Scale”. Sure I had practiced the material in it, but it was not until I saw his written solo that I truly understood just what could be a reality for me if I kept working hard.

    Thanks Steve
    Ron Bull

  2. Avatar
    Rated 5 out of 5

    Plurk (verified owner) – August 17, 2013

    This is really a great lesson to get the bebop scales to work.

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Lesson Sample

https://public.neffmusic.com/Dominant%20Bebop%20Solo%20on%20a%20Mellow%20Tone%20clip.mp4

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Testimonials

I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente

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