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You are here: Home / Jazz Lessons / Bebop Scales / One Bar Bebop Blues Lesson
One Bar Bebop Blues Lesson

One Bar Bebop Blues Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 023 Category: Bebop Scales Tags: 12 bar blues, bebop licks, bebop scale, jazz improvisation, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

Add some Bebop to your Blues playing! In this lesson, I offer you a simple approach to adding a Bebop flavor to your Blues. By utilizing these simple One Bar Bebop Blues, I teach you how to take your Blues playing beyond the Blues Scales you might already be familiar with and start adding that Bebop sound you hear all the great Jazz players use.
This lesson is a great introduction to “jazzing up” your blues for both the beginner, as well as the intermediate player who wants to start exploring the Bebop language over the familiar Blues form. By keeping things simple and internalizing these One Bar Bebop Blues, you’ll be able to quickly absorb the sound and style of the great Jazz Blues players. I demonstrate each lick and show you how I go about practicing and using these licks over a twelve bar blues.
You’ll learn how to play each lick through the blues form and then you’ll learn how to alter, mix, match and combine these simple one bar phrases, to create flowing Bebop lines.
By practicing these licks through the Blues form, I’ll show you how you can train your ears and fingers to start hearing and assimilating the Bebop language as you build your Jazz vocabulary. These phrases are the very same licks and patterns you’ve heard from the great Jazz Blues players like Sonny Stitt, Charlie Parker, Cannonball Adderly, Gene Ammons, and Hank Mobley.
Listen as I demonstrate not only how to play and practice these licks, but also how to develop a concept for analyzing these licks so that you can learn, remember, and transpose them through the form with ease.
You’ll also learn the Bebop Dominant Scale as I demonstrate how you can add this scale to the One Bar Bebop Blues and take your Blues playing even further.
Finally, I demonstrate how you can use these licks with your Blues Scales, by combining these ideas with the licks, ideas and concepts covered in my previous lessons.
If you liked Using the Blues Scale Part 1 & 2 and One Bar Blues Licks you’ll love One Bar Bebop Blues.  (Audio)

 

2 reviews for One Bar Bebop Blues Lesson

  1. Avatar
    Rated 5 out of 5

    Anon – July 12, 2009

    A great lesson. I love the way you emphasize learning a few licks, learning them really well, then altering them and finally, mixing and matching them to form an original idea. It kind of reinforces the idea that it isn’t so much about knowing a million licks, but rather, knowing a few really well and then being able to personalize and vary those licks and string them together to make a longer phrase. Again, great lesson and thanks

  2. Avatar
    Rated 5 out of 5

    SelmerC* – May 18, 2011

    This is a great lesson, it’s a really big piece to the jigsaw I am building, I have practiced a few of the licks and I am excited about learning them and applying them to my playing. If your looking for gold then you have found it with this lesson it is a great way to infuse the blues chord progression with a bit of jazz! Really masterfully done Steve well done!

    Kindest Regards Stephen (selmerc*)

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Lesson Sample

https://public.neffmusic.com/One%20Bar%20Bebop%20Blues%20clip.mp4

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Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
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Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
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I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
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Kim
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
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Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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