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You are here: Home / Jazz Lessons / Bebop Scales / In A Mellow Tone Dominant Bebop Solo Lesson
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In A Mellow Tone Dominant Bebop Solo Lesson

In A Mellow Tone Dominant Bebop Solo Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 188 Category: Bebop Scales Tags: bebop scales, In a Mellow Tone, jazz improvisation, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

Taking an improvisational concept from the practice room to the gig is one of the hardest things to do.  We practice a scale or concept for hours and hours,  but then when we get on the gig or big concert, it all seems to fall apart.  In this video lesson,  I show you how to take the dominant bebop scale concept and use it in a real solo over “In a Mellow Tone” by Duke Ellington.  This is a great jazz standard to use to practice dominant bebop scales because 90% of the chords are dominant chords.  The goal of this solo was to use all of the bebop lines, links and resolution links that we have used in the “Mastering the Dominant Bebop Lesson Series 1-13”.  The solo is at an intermediate level and shows you how you can put together everything we are learning to create a very nice solo over a standard tune.

This 2 chorus written solo is just an example of how you can use the dominant bebop scale concept to create rich and lively jazz solos over standard tunes.  My goal in this lesson is not just to give you a cool solo to play but rather to show you how to  create and build your own solos from  the “Mastering the Dominant Bebop Scale” book yourself.  Writing and creating a solo is one of the best ways to test if you fully understand an improvisational concept.  As you work on this solo and listen to me teach on it, try to create one yourself and see what you can come up with!

This lesson comes with a PDF sheet of the solo in C,Bb and Eb.  I demonstrate it on the tenor saxophone with a florida link mouthpiece. (26 Minute Video Lesson)

2 reviews for In A Mellow Tone Dominant Bebop Solo Lesson

  1. Avatar
    Rated 5 out of 5

    Ron Bull – March 15, 2010

    I have played this tune with the group at the restaurant. Having worked on the concepts presented in this lesson, I was able to (for the 1st time) actually sound like I new what I was doing.
    After I downloaded this lesson back in February, I immediately had a newly found appreciation for Steve’s book “Mastering the Dominant Bebop Scale”. Sure I had practiced the material in it, but it was not until I saw his written solo that I truly understood just what could be a reality for me if I kept working hard.

    Thanks Steve
    Ron Bull

  2. Avatar
    Rated 5 out of 5

    Plurk (verified owner) – August 17, 2013

    This is really a great lesson to get the bebop scales to work.

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Lesson Sample

https://public.neffmusic.com/Dominant%20Bebop%20Solo%20on%20a%20Mellow%20Tone%20clip.mp4

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Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
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Mike
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

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