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You are here: Home / Jazz Lessons / Practice Habits / Improv Toolbox for Funky Grooves-Lesson 1-Minor
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Improv Toolbox for Funky Grooves-Lesson 1-Minor

Improv Toolbox for Funky Grooves-Lesson 1-Minor

$9.99

Category: Practice Habits Tags: funky grooves, improvisation, practice habits, saxophone, video lessons
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Description

Improv Toolbox for Funky Grooves is a series of lessons on all the concepts and tools you can use when you  practice  playing along with funky music. This is one my favorite ways to practice because as I am improvising, I am working on varied concepts and tools that allow me to play interesting solos.

In lesson 1, I give you a list of 22 tunes from a iTunes playlist I have that cover 11 minor keys. I do not include these songs because they are copyrighted but if you take a listen to them on iTunes and like this style of music you can download them yourself to practice with. In the playlist I also include the blues scales that work over each song in concert key.In this lesson, we start with the basics of knowing the keys and blues scales that go with a song. I talk about resolutions as well as practicing the blues scale to these grooves in a melodic way. I also talk about the importance of rhythmic variation and articulation while improvising.

I demonstrate all the concepts on the soprano sax with a variety of drum and guitar loops so you can hear the concepts I am teaching about. Future lessons in the series will deal with adding other elements and tools to the funky tracks like bebop scales, approach note lines, pentatonics, altered scales, triad pairs, chromatic lines and other improvisational concepts. I think you will get a lot out of this series of lessons. (33 Minute Video Lesson, PDF Playlist of Funky Grooves in 11 Minor Keys)

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Testimonials

Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

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