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You are here: Home / Jazz Lessons / Blues Scales / Dominant Double Blues Scale Mastery Lesson
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Dominant Double Blues Scale Mastery Lesson

Dominant Double Blues Scale Mastery Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 185 Category: Blues Scales Tags: blues scale, jazz improvisation, tenor saxophone, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

This is a pretty cool solo on how to use  what I call the double blues scales over a dominant tonality.  I go into detail on how use two blues scale over a dominant chord. For example, if you are playing over A7, I show you how to use the F# blues scale going up and the A blues scale coming down.  I also show you which notes to band and how to resolve the lines.  I have written out a PDF in each of the 12 keys with the blues scales on them.  Your job is to learn the lines, master the scales and develop some great blues licks of your own.  I demonstrate everything on my tenor sax.(Audio & Video)

2 reviews for Dominant Double Blues Scale Mastery Lesson

  1. Avatar
    Rated 5 out of 5

    Peter Rawlings – May 9, 2010

    I just watched your Dominant Double Blues lesson – it is very clear, and easy to understand. It’s such a simple concept, and yet it sounds so good when applied. Thank you very much. This is the first lesson of yours I’ve tried. I will definitely be back for more!
    best regards,
    Peter Rawlings

  2. Avatar
    Rated 5 out of 5

    Matt D. – July 6, 2010

    I absolutely love this lesson. I only had a chance to shed this for a couple of hours before I had to play at church yesterday and it has improved my playing already.

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Lesson Sample

https://public.neffmusic.com/Dominant%20Double%20Blues%20Scale%20Mastery%20clip.mp4

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Testimonials

I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

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