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You are here: Home / Jazz Lessons / Blues Scales / Dominant Double Blues Scale Mastery Lesson
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Dominant Double Blues Scale Mastery Lesson

Dominant Double Blues Scale Mastery Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 185 Category: Blues Scales Tags: blues scale, jazz improvisation, tenor saxophone, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

This is a pretty cool solo on how to use  what I call the double blues scales over a dominant tonality.  I go into detail on how use two blues scale over a dominant chord. For example, if you are playing over A7, I show you how to use the F# blues scale going up and the A blues scale coming down.  I also show you which notes to band and how to resolve the lines.  I have written out a PDF in each of the 12 keys with the blues scales on them.  Your job is to learn the lines, master the scales and develop some great blues licks of your own.  I demonstrate everything on my tenor sax.(Audio & Video)

2 reviews for Dominant Double Blues Scale Mastery Lesson

  1. Avatar
    Rated 5 out of 5

    Peter Rawlings – May 9, 2010

    I just watched your Dominant Double Blues lesson – it is very clear, and easy to understand. It’s such a simple concept, and yet it sounds so good when applied. Thank you very much. This is the first lesson of yours I’ve tried. I will definitely be back for more!
    best regards,
    Peter Rawlings

  2. Avatar
    Rated 5 out of 5

    Matt D. – July 6, 2010

    I absolutely love this lesson. I only had a chance to shed this for a couple of hours before I had to play at church yesterday and it has improved my playing already.

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Lesson Sample

https://public.neffmusic.com/Dominant%20Double%20Blues%20Scale%20Mastery%20clip.mp4

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Testimonials

I’ve been a member of Steve’s site for about six months now and the difference it has made to my playing is immeasurable. The (many) benefits of this membership are that you can have lessons at time convenient to you, they work out A LOT cheaper than face-to-face lessons with a teacher of the same calibre and you can replay them ad infinitum. I don’t know how many times have I had lessons in the past where I’ve ended up covering the same concepts when really a ‘replay’ of the last lesson would h… Read more
Nick
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

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