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You are here: Home / Jazz Lessons / Blues Scales / Dominant Double Blues Scale Mastery Lesson
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Dominant Double Blues Scale Mastery Lesson

Dominant Double Blues Scale Mastery Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 185 Category: Blues Scales Tags: blues scale, jazz improvisation, tenor saxophone, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

This is a pretty cool solo on how to use  what I call the double blues scales over a dominant tonality.  I go into detail on how use two blues scale over a dominant chord. For example, if you are playing over A7, I show you how to use the F# blues scale going up and the A blues scale coming down.  I also show you which notes to band and how to resolve the lines.  I have written out a PDF in each of the 12 keys with the blues scales on them.  Your job is to learn the lines, master the scales and develop some great blues licks of your own.  I demonstrate everything on my tenor sax.(Audio & Video)

2 reviews for Dominant Double Blues Scale Mastery Lesson

  1. Avatar
    Rated 5 out of 5

    Peter Rawlings – May 9, 2010

    I just watched your Dominant Double Blues lesson – it is very clear, and easy to understand. It’s such a simple concept, and yet it sounds so good when applied. Thank you very much. This is the first lesson of yours I’ve tried. I will definitely be back for more!
    best regards,
    Peter Rawlings

  2. Avatar
    Rated 5 out of 5

    Matt D. – July 6, 2010

    I absolutely love this lesson. I only had a chance to shed this for a couple of hours before I had to play at church yesterday and it has improved my playing already.

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Lesson Sample

https://public.neffmusic.com/Dominant%20Double%20Blues%20Scale%20Mastery%20clip.mp4

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Testimonials

I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

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