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You are here: Home / Jazz Lessons / Dominant Blues Approach Note Mastery-Lesson 3
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Dominant Blues Approach Note Mastery-Lesson 3

Dominant Blues Approach Note Mastery-Lesson 3

$9.99

Categories: Jazz Lessons, Approach Notes Tags: 12 bar blues, approach notes, dominant chords, jazz improvisation, saxophone, video lesson
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Description

Dominant Blues Approach Note Mastery is a new series of lessons that takes a fresh approach to learning all of your dominant approach note lines and resolutions in all 12 keys over a standard 12 bar blues form.

In this series we will be applying the approach patterns and lines from my “Approach Note Velocity” books to a standard 12 bar blues progressions in all 12 keys. The goal of these lessons is for the student to master each of these approach patterns as well as learning how to apply these lines and jazz vocabulary to chord changes as you go.

I teach in depth about how to apply these lines to each chord in a standard 12 bar blues and the reasons behind each choice of approach note line. I demonstrate all the lines on the soprano saxophone and give you tips and ideas on how to best practice and eventually master them in all 12 keys.

Lesson 3 continues where lesson 1 and 2 let off with an approach note line that I feel gives the student a great tool to travel from chord tone to chord tone through any chord progression. This lesson works with the same approach line as lesson 1 and 2 but introduces a new twist to the line that gives the improviser the ability to jump and turn the line in different directions. In future lessons, we will be linking a variety of approach note lines to each other to create flowing running lines that weave in and out of the tonality to create interesting shapes and sounds over the chord changes of a 12 bar blues that can also be applied to a variety of standard chord progressions as well.

This will be a long series but I hope to add some elements to these lessons that will make learning the approach note lines a bit easier and more interesting along the way. (35 Minute Video Lesson, 4 PDF pages of approach note lines over a 12 bar blues, 3 play along tracks at 85, 110 and 140 bpm, chords progression PDF sheets of play along for concert, Bb and Eb instruments)

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Testimonials

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

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