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You are here: Home / Jazz Lessons / Scale Studies / Diatonic Fourth Patterns Lesson
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Diatonic Fourth Patterns Lesson

Diatonic Fourth Patterns Lesson

$9.99

SKU: 203 Category: Scale Studies Tags: diatonic fourths, jazz improvisation, scale patterns, scale practice, video lesson
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Description

Diatonic fourth patterns are a must for any serious student of jazz.  Years ago I remember hearing recordings of Eddie Harris and Joe Farrell from the 70’s.  They were using larger intervals in there solos that sounded really interesting and cool to me but I wasn’t sure what they were doing.  Later,  I found out that they were using lines with fourths in them.  The reason fourths are so distinct and unique sounding is that they break away from the interval of the third that is so common in jazz.   Playing lines in fourths breaks away from the common third and creates lines that are very different sounding.  They are valuable because they give you  melodic material you can use that is unique and modern sounding.  By working on your diatonic fourths you will  equip yourself with a thorough knowledge of the major scale as you improve your technique.

In this lesson,  I show you 4 common patterns using diatonic fourths.  The key to getting more advanced lines into your improvisation is to first master these diatonic fourth patterns by getting them under your fingers and in your ears.  I give you all the tips on how to best do this and demonstrate them for you on the soprano sax with some background music. This lesson also includes a 12 page pdf of the patterns in every key so that you may master them in all 12 keys.  This is a fundamental lesson that you don’t want to miss.  If you have been playing for years and have never worked on your diatonic fourths, it’s not too late. Enjoy!  (Video)

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Lesson Sample

https://public.neffmusic.com/Diatonic%20Fourth%20Patterns%20clip.mp4

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Testimonials

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee

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