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You are here: Home / Jazz Lessons / Modern Improv / Creating Modern Lines with Altered Pentatonic Variations-Lesson 1
Creating Modern Lines with Altered Pentatonic Variations-Lesson 1

Creating Modern Lines with Altered Pentatonic Variations-Lesson 1

$11.99

Categories: Modern Improv, Scale Studies Tags: altered pentatonics, jazz improvisation, moder improv, playing outside, video lesson
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Description

In this lesson, we are taking a more in-depth look at the use of altered pentatonic variations to play cool “outside”lines over a minor key center.   This lesson is based off of the pentatonic line #20 in my book “Mastering Altered Pentatonics”. You will need that book to get the most out of this lesson.

In this lesson, I have created a system that I used to mix up the 12 pentatonic altered scales in my book to create these 24 great sounding modern lines.  I teach you how I came up with this system and how I used it to create these fresh lines based off of the 12 pentatonic scales in my book. 

This is a great lesson if you struggle with adding variety and “outside” lines to your favorite minor grooves.  Mastering these altered pentatonics will give you access to a range of sounds that will make other musicians ask what you were playing and thinking on your last solo……..I demonstrate all the lines to a funky D minor play along (C minor concert) and demonstrate all the lines on the soprano saxophone.

(38 Minute Video Lesson,  36 page PDF of  24 altered pentatonic variations in all 12 keys)

 

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Lesson Sample

https://public.neffmusic.com/Altered_Pentatonic_Variations-Lesson_1_Clip.mp4

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Thanks so much for putting all this great learning material out there. I don’t often have the time to take a lesson with a teacher, so the ability to download lessons is really invaluable. My playing has improved enormously (I think :)) – and the lessons are so varied there’s always something to be inspired by. Incredible value too!
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I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
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Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

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