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You are here: Home / Jazz Lessons / Modern Improv / Creating Modern Lines with Altered Pentatonic Variations-Lesson 1
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Creating Modern Lines with Altered Pentatonic Variations-Lesson 1

Creating Modern Lines with Altered Pentatonic Variations-Lesson 1

$11.99

Categories: Modern Improv, Scale Studies Tags: altered pentatonics, jazz improvisation, moder improv, playing outside, video lesson
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Description

In this lesson, we are taking a more in-depth look at the use of altered pentatonic variations to play cool “outside”lines over a minor key center.   This lesson is based off of the pentatonic line #20 in my book “Mastering Altered Pentatonics”. You will need that book to get the most out of this lesson.

In this lesson, I have created a system that I used to mix up the 12 pentatonic altered scales in my book to create these 24 great sounding modern lines.  I teach you how I came up with this system and how I used it to create these fresh lines based off of the 12 pentatonic scales in my book. 

This is a great lesson if you struggle with adding variety and “outside” lines to your favorite minor grooves.  Mastering these altered pentatonics will give you access to a range of sounds that will make other musicians ask what you were playing and thinking on your last solo……..I demonstrate all the lines to a funky D minor play along (C minor concert) and demonstrate all the lines on the soprano saxophone.

(38 Minute Video Lesson,  36 page PDF of  24 altered pentatonic variations in all 12 keys)

 

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Lesson Sample

https://public.neffmusic.com/Altered_Pentatonic_Variations-Lesson_1_Clip.mp4

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Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
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Uwe
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Jerry
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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