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You are here: Home / Jazz Lessons / II-V-I Patterns / Best II-V-I Patterns Lesson 3
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Best II-V-I Patterns Lesson 3

Best II-V-I Patterns Lesson 3

$9.99

Category: II-V-I Patterns Tags: II-V-I, jazz improvisation, jazz patterns, saxophone, video lesson
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Description

The II-V-I progression is one of the most common progressions in jazz.  A number of years ago, I wrote my popular  “The Best II-V-I Patterns”  book.  This book is a collection of the best II-V-I patterns that I have come across in my 30 years of playing and teaching. While there has been much praise and accolades for the book since it’s release, many beginner and intermediate students have not understood how to work out of the book for the most benefit.  I have received many emails asking how to use the book to become a better improviser and jazz player. I released my “Best II-V-I Overview Lesson” to address many of these questions in a short 33 minute lesson but at this time, I feel it would be good to go into more depth with the book and how I study and teach out of it.

In this series of lessons, I show you exactly how I work out of the book myself as well as teach from it.  I cover all of the steps and tips that I can think of on how to best practice and master the material in the Best II-V-I Patterns Books. I play through each of the patterns in the book and then teach in depth about how to think about the patterns as well as the best ways to practice them. These are great companion lessons to my “Best Major II-V-I”  books.  I recommend getting the books in order to get the most out of these lessons.

I play examples 8-12 on the tenor saxophone. In lesson 3 of this series, I teach you the importance of learning a jazz vocabulary based off of II-V-I’s as well as tips and strategies to best learn from “The Best II-V-I Patterns”. I teach you the importance of learning to vary and change the patterns as you master them so that you can use them while improvising in a fluid and dynamic way.(35 Minute Video Lesson)

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I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John

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