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You are here: Home / Beginner Improvisation Series / Beginner Improvisation-Alto Sax / Beginner Jazz Improvisation Lesson 9B-Alto Sax
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Beginner Jazz Improvisation Lesson 9B-Alto Sax

Beginner Jazz Improvisation Lesson 9B-Alto Sax

$9.99

SKU: 373 Category: Beginner Improvisation-Alto Sax Tags: alto saxophone, beginning jazz improvisation, jazz, jazz sax, video lesson
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Description

This is a beginner improviser series for alto sax.  In this series of lessons I will take you from the very beginning and teach you how to improvise.

In this lesson 9B, I teach you how to start working on the tune “In a Mellow Tone” by Duke Ellington.  This is a great lesson for introducing a jazz student to faster occurring chords. I teach you a step by step method that I use with my student to master the chords using all of the techniques we have been using so far in the series.

My goal with these series of lessons is too teach you all the basic chords and scales in every key and get you improvising in a fluent way over some common jazz standards.  I demonstrate all the material on my alto saxophone. (32 Minute Video & PDF)

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Testimonials

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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