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You are here: Home / Jazz Lessons / Scale Studies / Beatrice-Understanding Modes-Lesson 2
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Beatrice-Understanding Modes-Lesson 2

Beatrice-Understanding Modes-Lesson 2

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SKU: 344 Category: Scale Studies Tags: Beatrice, jazz improvisation, jazz standard, modes, scales, video lesson
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Description

This is an intermediate lesson for those of you who want to start challenging yourselves with slightly harder standards.

In this lesson 2 Beatrice-Understanding the Modes, we talk about the tune Beatrice by Sam Rivers.  This is a great tune that I love to play that has some unique chord changes.  At first glance, many young improvisers have a hard time improvising on this tune.  It is actually a lot easier than the chords look.  Once you sit down and figure out which modes to play on each chord, the chords have more notes in common than you would at first think.

This lesson is a great lesson on how to think through a solo and build melodic content by not just playing scales but rather thinking about which notes each chord has in common with the ones around it.  The trick is to use these commonalities to play lines that are melodic and that float above the changing chords underneath them.

If you get the concepts in this lesson down, it will take you a long way in understanding how great improvisers think and simplify their lines and ideas to create great solos. (31 Minute Video Lesson)

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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
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Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

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