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You are here: Home / Jazz Lessons / Scale Studies / Beatrice-Understanding Modes-Lesson 2
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Beatrice-Understanding Modes-Lesson 2

Beatrice-Understanding Modes-Lesson 2

$9.99

SKU: 344 Category: Scale Studies Tags: Beatrice, jazz improvisation, jazz standard, modes, scales, video lesson
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Description

This is an intermediate lesson for those of you who want to start challenging yourselves with slightly harder standards.

In this lesson 2 Beatrice-Understanding the Modes, we talk about the tune Beatrice by Sam Rivers.  This is a great tune that I love to play that has some unique chord changes.  At first glance, many young improvisers have a hard time improvising on this tune.  It is actually a lot easier than the chords look.  Once you sit down and figure out which modes to play on each chord, the chords have more notes in common than you would at first think.

This lesson is a great lesson on how to think through a solo and build melodic content by not just playing scales but rather thinking about which notes each chord has in common with the ones around it.  The trick is to use these commonalities to play lines that are melodic and that float above the changing chords underneath them.

If you get the concepts in this lesson down, it will take you a long way in understanding how great improvisers think and simplify their lines and ideas to create great solos. (31 Minute Video Lesson)

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I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
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Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
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I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

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