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You are here: Home / Jazz Lessons / Scale Studies / Beatrice-Understanding Modes-Lesson 2
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Beatrice-Understanding Modes-Lesson 2

Beatrice-Understanding Modes-Lesson 2

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SKU: 344 Category: Scale Studies Tags: Beatrice, jazz improvisation, jazz standard, modes, scales, video lesson
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Description

This is an intermediate lesson for those of you who want to start challenging yourselves with slightly harder standards.

In this lesson 2 Beatrice-Understanding the Modes, we talk about the tune Beatrice by Sam Rivers.  This is a great tune that I love to play that has some unique chord changes.  At first glance, many young improvisers have a hard time improvising on this tune.  It is actually a lot easier than the chords look.  Once you sit down and figure out which modes to play on each chord, the chords have more notes in common than you would at first think.

This lesson is a great lesson on how to think through a solo and build melodic content by not just playing scales but rather thinking about which notes each chord has in common with the ones around it.  The trick is to use these commonalities to play lines that are melodic and that float above the changing chords underneath them.

If you get the concepts in this lesson down, it will take you a long way in understanding how great improvisers think and simplify their lines and ideas to create great solos. (31 Minute Video Lesson)

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Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

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John Leclerc
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
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