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You are here: Home / Sax Lessons / Sax Articulation / Basic Jazz Articulation for the Sax Lesson 1
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Basic Jazz Articulation for the Sax Lesson 1

Basic Jazz Articulation for the Sax Lesson 1

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 012 Category: Sax Articulation Tags: audio lesson, jazz articulation, jazz saxophone, sax basics, tonguing
  • Description
  • Reviews (1)
  • Lesson Sample

Description

If you want to learn how to play jazz saxophone, you can’t afford to overlook this essential lesson.  Proper Jazz Articulation is what makes your lines swing.  If you’re just beginning to learn to play jazz, or perhaps you’re a self taught player who’s always struggled with getting your playing to sound authentic and convincing,  this lesson will set you on the right path.

I start with the very basics and guide you through learning to swing, just as I would if you were sitting in the studio next to me. I talk you through the difference between playing in a classical style and playing swinging jazz.  I demonstrate these ideas on my saxophone as I explain them, so you can hear exactly what proper jazz articulation sounds like as you learn to do it too.  I talk about the most effective way to tongue, or articulate the notes, to achieve the proper swing feel.

I show you how you can start simply and slowly and apply these ideas and methods to the material you already know.  I play through some classic bebop tunes from Charlie Parker and Thelonious Monk, to demonstrate how proper jazz articulation makes all the difference in creating that authentic swing feel. You’ll learn how to phrase your lines correctly and get those jazz licks sounding the way they should.

I also show you how proper articulation helps your sense of time and place within the tune and helps you lock in with the rhythm section and take the burden of playing with good time and great feel, off your fingers alone. I then address the most common mistakes I hear from students when articulating jazz. I demonstrate where you might be going wrong and explain what causes these mistakes and how you can fix them. Soon you’ll be playing with that authentic swing feel. (17 minute audio)

1 review for Basic Jazz Articulation for the Sax Lesson 1

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    Rated 5 out of 5

    Norman – April 5, 2014

    Great lesson. relearning my major scales by using the long-short method of articulation as demonstrated on Scrapple From the Apple on this lesson. Very important basic lesson on how swing.

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Lesson Sample

https://public.neffmusic.com/Basic%20Jazz%20Articulation%20for%20the%20Sax%20clip.mp4

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Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

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P
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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