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You are here: Home / Jazz Lessons / Approach Notes / Approach Note Velocity Overview Lesson
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Approach Note Velocity Overview Lesson

Approach Note Velocity Overview Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 004 Category: Approach Notes Tags: approach notes, audio lesson, jazz improvisation, jazz lines, jazz patterns
  • Description
  • Reviews (2)

Description

Approach notes are notes that are headed towards a particular target note.  Usually, the target note is a chord tone that you are aiming for that will give resolution to the line you are playing.  As you are playing these “approach note lines”, quite often there is dissonance in the line but when  you resolve it by achieving the target note it sounds great!  Many intermediate jazz improviser’s never get the knack of the dissonance resolution battle that goes on while they improvise  because they never work on nor master their approach notes.  Learning all your approach note patterns and lines is a great way to master the elements of tension and resolution.  It is also a fabulous way to  improve your ears, play faster more fluid jazz lines, understand how all 12 notes fit against a tonality  and finally, play some really fast cool jazz patterns that weave in and out of the changes in a hip and modern way.

In this 30 minute audio lesson, I give a general overview of my Approach Note Velocity books and concept.  This is not a step by step lesson series like the “Approach Note Freedom” series of lessons but rather an overview lesson  to get you started and up and running with the concepts.  I teach you how to best use the Approach Note Velocity books for the maximum benefit.   I take you step by step through the process that I myself went through years ago as I practiced all my approach note lines and patterns.  I demonstrate how to play the exercises and practice in the Approach Note Velocity books as well as the best way to practice these against Jamey Aebersold’s play alongs.   I  give you  tips and hints on how to apply the approaches to real life playing situations.  This is a great lesson for those of you who have my book and want further insights on how to get the most from it.  If you don’t have my “Approach Note Velocity” books then I would strongly suggest you get it in order to learn the most from this lesson.   (30 Minute Audio Lesson)

2 reviews for Approach Note Velocity Overview Lesson

  1. Avatar
    Rated 5 out of 5

    Donato Soviero – March 11, 2010

    Thanks Steve! Your insights have really opened up a whole new area of study for me. These approaches are something I used to stumble on as isolated licks. You’ve really explored and organized the whole concept beautifully!
    Thank you, thank you!

  2. Avatar
    Rated 5 out of 5

    John Tattersall – July 24, 2013

    I just thought I would let you know how I’m getting on with the book. I totally get it now and am delighted with it. I’ve been working on C major only with the Aebersold Major backing track. Having memorized the patterns up to about No 4 and then combining them with existing jazz language which I already use I have found it is really opening another door to my improvisation improvement. I intend to make working on the patterns a priority over the next year.

    Many Thanks

    John

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I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
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First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
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