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You are here: Home / Jazz Lessons / Approach Notes / Approach Note Velocity Overview Lesson
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Approach Note Velocity Overview Lesson

Approach Note Velocity Overview Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 004 Category: Approach Notes Tags: approach notes, audio lesson, jazz improvisation, jazz lines, jazz patterns
  • Description
  • Reviews (2)

Description

Approach notes are notes that are headed towards a particular target note.  Usually, the target note is a chord tone that you are aiming for that will give resolution to the line you are playing.  As you are playing these “approach note lines”, quite often there is dissonance in the line but when  you resolve it by achieving the target note it sounds great!  Many intermediate jazz improviser’s never get the knack of the dissonance resolution battle that goes on while they improvise  because they never work on nor master their approach notes.  Learning all your approach note patterns and lines is a great way to master the elements of tension and resolution.  It is also a fabulous way to  improve your ears, play faster more fluid jazz lines, understand how all 12 notes fit against a tonality  and finally, play some really fast cool jazz patterns that weave in and out of the changes in a hip and modern way.

In this 30 minute audio lesson, I give a general overview of my Approach Note Velocity books and concept.  This is not a step by step lesson series like the “Approach Note Freedom” series of lessons but rather an overview lesson  to get you started and up and running with the concepts.  I teach you how to best use the Approach Note Velocity books for the maximum benefit.   I take you step by step through the process that I myself went through years ago as I practiced all my approach note lines and patterns.  I demonstrate how to play the exercises and practice in the Approach Note Velocity books as well as the best way to practice these against Jamey Aebersold’s play alongs.   I  give you  tips and hints on how to apply the approaches to real life playing situations.  This is a great lesson for those of you who have my book and want further insights on how to get the most from it.  If you don’t have my “Approach Note Velocity” books then I would strongly suggest you get it in order to learn the most from this lesson.   (30 Minute Audio Lesson)

2 reviews for Approach Note Velocity Overview Lesson

  1. Avatar
    Rated 5 out of 5

    Donato Soviero – March 11, 2010

    Thanks Steve! Your insights have really opened up a whole new area of study for me. These approaches are something I used to stumble on as isolated licks. You’ve really explored and organized the whole concept beautifully!
    Thank you, thank you!

  2. Avatar
    Rated 5 out of 5

    John Tattersall – July 24, 2013

    I just thought I would let you know how I’m getting on with the book. I totally get it now and am delighted with it. I’ve been working on C major only with the Aebersold Major backing track. Having memorized the patterns up to about No 4 and then combining them with existing jazz language which I already use I have found it is really opening another door to my improvisation improvement. I intend to make working on the patterns a priority over the next year.

    Many Thanks

    John

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Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
Bob
I have NEVER seen material like yours.  Amazing!!
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Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

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I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
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Shane
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