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You are here: Home / Jazz Lessons / Triad Pairs / Triad Pairs-Dominant 3×3 Lesson
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Triad Pairs-Dominant 3x3 Lesson

Triad Pairs-Dominant 3×3 Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 360 Category: Triad Pairs Tags: dominant chords, jazz improvisation, triad pairs, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

In this lesson I introduce you to triad pair patterns that use 3 notes per triad.  Triad pair lines are based off of the concept of mixing two triads together to form your lines and ideas.   In past lessons we tackled 2×2 patterns and 4×4 triad patterns.  The more of these patterns you master the more natural and flowing your use of triad pairs will sound.

Once you master these lines and concepts you will be amazed at the way they can change your solos.  This lesson comes with a 2 page PDF with the lines written out for the C7 chord.(There is also a concert key PDF in Bb7)  I demonstrate the lines on the tenor sax as well as show you how to practice them over a play along. At the end of the video, I show you how you can practice these on a 12 bar blues also.  (31 minute Video & PDF)

1 review for Triad Pairs-Dominant 3×3 Lesson

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    Rated 5 out of 5

    Jon W (verified owner) – December 2, 2013

    Man, I just had to write to say a big thank you for this wonderful resource you have built. I’ve been playing sax for about 10 years here in sunny England. I’ve always struggled to find information that I can use to build my arsenal of licks, but moreso to give freedom and let loose. Your books and lessons have been a revelation. I just downloaded your triad 3×3 video lesson, and within minutes of watching it I was adding the ideas to some of the things I learnt from your dominant bebop book, and was just taking it to another level. An absolute joy. I’m sure I’ll get around to purchasing more, but in the mean time, thank you so much for your hard work in preparing these, and explaining/demonstrating so clearly.
    Love to everyone that side of the pond.
    Jon.W. (England)

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Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

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Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano
I want to say something about Steve Neff’s series of lessons, Beginner Jazz Improvisation. For a couple of years I tried many beginner lessons and my problem was that there was a gap between lessons that were fairly simple and ones that I was not quite ready for and my progress stalled out. That problem was solved with the series Beginner Jazz Improvisation. He guides you step by step along the way and builds a foundation for learning jazz and blues. He leaves no question about what to practice … Read more
Pete
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
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I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
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