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You are here: Home / Jazz Lessons / Triad Pairs / Triad Pairs 4×4 Lesson
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Triad Pairs 4x4 Lesson

Triad Pairs 4×4 Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 155 Category: Triad Pairs Tags: jazz improvisation, triad pairs, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In this lesson I introduce you to triad pair patterns that use 4 notes per triad.  Triad pair lines are based off of the concept of mixing two triads together to form your lines and ideas.   In past lessons we tackled 2×2 patterns and 3×3 triad patterns.  The more of these patterns you master the more natural and flowing your use of triad pairs will sound.  Once you master these lines and concepts you will be amazed at the way they can change your solos.  This lesson comes with a 2 page PDF with the lines written out for the G7 chord.  I demonstrate the lines for you as well as show you how to practice them over a play along.  Enjoy!  (27 minute Video,Audio & PDF)

1 review for Triad Pairs 4×4 Lesson

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    Rated 5 out of 5

    Paul – September 15, 2010

    This is a great lesson on creating lines using the two triad concept. The best thing about it is being able to see you demonstrate everything on the sax. Seeing it and hearing it is the best way to drive it home for someone like me. Thanks

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Lesson Sample

https://public.neffmusic.com/Triad%20Pairs%204x4%20clip.mp4

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Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
I have NEVER seen material like yours.  Amazing!!
Jerry
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
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I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
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John
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