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You are here: Home / Jazz Lessons / Stylistic Lessons / The Style of Dexter Gordon-Lady Bird Lesson 2
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The Style of Dexter Gordon-Lady Bird Lesson 2

The Style of Dexter Gordon-Lady Bird Lesson 2

$9.99

Category: Stylistic Lessons Tags: Dexter Gordon, jazz saxophone, Lady Bird, tenor sax, transcription, video lesson
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Description

This is a new series of lessons based off the playing and style of the great tenor saxophone player Dexter Gordon. Dexter Gordon had one of the most recognized saxophone sounds of all time. Most sax players can instantly recognize his sound, style and technique within second of hearing him.

In this series of lessons, we will focus on different aspects of Dexter Gordon’s playing including sound, phrasing, licks, embouchure and other varied techniques. I will talk about each of these concepts in depth and how to best implement them in your own playing. In these first 3 lessons, I will begin to walk you through a transcription I made of a great 9 chorus Dexter solo over the Tadd Dameron standard Lady Bird. This solo is from a Youtube video of a concert Dexter Gordon played in Belgium in 1964 and is a great example of Dexter’s phenomenal playing. I demonstrate all the concepts discussed on the tenor saxophone. (31 Minute Video Lesson, 9 chorus solo transcription in Bb)

1 review for The Style of Dexter Gordon-Lady Bird Lesson 2

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    Eef van der Burg – July 6, 2016

    Hi Steve,

    The thing with Dexter touching on the edge of the pearls while playing is because he had big hands. You see that often . Thanks for all of your good work. Regards Eef van der Burg.

    • Steve

      Steve – July 10, 2016

      Thanks, I’m not sure I understand that. If his hands were so big wouldn’t they lap over the pearls not barely be on the edges of them?

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Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
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