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You are here: Home / Sax Lessons / Sax Tone / The Secret to Fast Jazz Articulation Lesson
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The Secret to Fast Jazz Articulation Lesson

The Secret to Fast Jazz Articulation Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 121 Category: Sax Tone Tags: jazz articulation, jazz sax, saxophone, tonguing, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In this lesson I reveal what is an amazing tip for fast jazz articulation. I am excited about this lesson because What I talk about in it is something that I recently discovered that I did while articulating fast jazz phrases. I talk in depth about what is called “Ghost Tonguing” and how it helps me to tongue and articulate fast jazz passages.  (Video & Audio)

1 review for The Secret to Fast Jazz Articulation Lesson

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    Rated 5 out of 5

    Ken Tyler – November 11, 2011

    Hi there Steve, I downloaded this video some time ago when I was working on my basic articulation. I found the Basic Jazz Articulation lessons really helpful at that time but its taken me a long time to really integrate those skills. Now that my basic articulation is improving I noticed that my bebop lines were sounding really clunky. This was the missing link! It’s a very powerful technique with loads of applications and it’s starting to help my lines sound better all over again. I find it difficult to do – when I think about it, everything else goes haywire but when I don’t think about it I forget to do it! Basic bebop themes are starting to sound right now – still not there but sounding more fluent. Like you, I noticed that I was already doing it without realizing on some tunes I know really well. I couldn’t find anything on ghost tonguing at all on the web, then this came up and I realized I already had it. It was too soon before for me to appreciate but now I realize what a great lesson this is. Thanks a lot for all your lessons and continuing inspiration – you’re a genius man!

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Lesson Sample

https://public.neffmusic.com/The%20Secret%20to%20Fast%20Jazz%20Articulation%20clip.mp4

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Testimonials

Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
Paul

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I just joined Neff Music last month. I can’t tell you how excited I’ve been to be able to pick back up on lessons. I’ve been in a rut and you got me out! I’ve especially appreciated the Lesson Path section. It was so clear I knew exactly where to jump in and start. Many many thanks!
Karin
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

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