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Straight No Chaser-Jazz Articulation Lesson

Straight No Chaser-Jazz Articulation Lesson

Rated 5.00 out of 5 based on 3 customer ratings
(3 customer reviews)

$9.99

SKU: 162 Category: Sax Articulation Tags: accents, jazz articulation, jazz phrasing, saxophone, Straight No Chaser, tonguing, video lesson
  • Description
  • Reviews (3)
  • Lesson Sample

Description

This is a beginner lesson on how to play the melody of “Straight No Chaser” by Thelonious Monk in a jazz style.  This is a great tune to work with to get a good grasp of the jazz style and articulation.  I take you through the melody step by step and teach you how to play the eighth note phrases. As well as how to articulate the notes in such a way that your playing sounds authentic. This lesson is for those who have worked through the basics of playing the sax but want to start learning to play  in a jazz style and learn to swing. It goes hand in hand with my lessons on “Jazz Articulation 1 &2” but here I’m applying to a common standard. I demonstrate all of the concepts on my tenor saxophone.  (Video & Audio)

3 reviews for Straight No Chaser-Jazz Articulation Lesson

  1. Avatar
    Rated 5 out of 5

    Stephen – December 5, 2010

    Great follow up lesson to the previous audio and video lessons on articulation, this lesson combines the articulation with a jazz standard to put that learning into practice. When used in combination with the real book it also comprehensively covers aspects of the music reading timing and rhythm, I found it a great help and would like to cover a few more at this level. Great Job Steve!

  2. Avatar
    Rated 5 out of 5

    Hanoch – January 22, 2011

    I use to embrace all the mistakes which Steve is talking about in this lesson, and couldn’t figure out why my articulation sucks… then I came across this great lesson and things begin to clear for me. Now my playing sound more jazzy and laid back – as it should be. Thank you Steve. Great job.

  3. Avatar
    Rated 5 out of 5

    Ken – March 23, 2011

    This is an excellent lesson and the results have been quite amazing for me. I never really got this before – it must have been a real gap in my learning. It has really improved my playing, particularly the feel of the piece and the sort of energy I can put into the line. I’ve just been trying out the same approach on Blue Train and Now’s The Time – basically it feels that I just never played them right before – and some of those rhythms I couldn’t get are coming out as they should. It takes a while to ‘get it’ without overdoing it, but it’s well worth the effort. It’s a very subtle thing, you know, but the effect is huge! Thanks for a great lesson. Ken

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I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
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By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
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I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
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Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
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Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
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I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

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After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
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I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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