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You are here: Home / Jazz Lessons / Smooth Jazz & Pop / Soloing on Simple Grooves Lesson 2
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Soloing on Simple Grooves Lesson 2

Soloing on Simple Grooves Lesson 2

$9.99

SKU: 2539 Category: Smooth Jazz & Pop Tags: blues solo, jazz saxophone, tenor saxophone, video lesson
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Description

In this lesson I demonstrate on the alto saxophone how to solo over some simple pop type grooves.  Sometimes the simple grooves are the hardest to solo over, because it’s hard to come up with new and inventive ideas. In fact, for many players, their first experience in taking a solo is over a vamp style groove just like the ones I demonstrate here.

In this lesson I take three background tracks that a member sent me to get help on and demonstrate the different things I would use on them.

The first track is a pop tune, which is in the key of B major for alto. The second track is a funky groove in E minor for alto.  The third track is another funky groove in A minor.
I talk in depth about the devices I would use on solos like this, including…….blues scales,approach notes, major scales and minor scales.

Depending upon the style of the tune you’re soloing over, you can choose from any one of these approaches and even combine them to give you an endless variety of solo ideas that fit the style of the tune.

I demonstrate how you can use many of the scales, licks, ideas and concepts you’ve learned in my other lessons, over these groove type tunes.

There are approaches and ideas here for all levels of players.  For the beginners taking their first solo break in the school band I discuss using basic chord tones and blues scales.  The Intermediate soloist will find the approach note sounds challenging and rewarding. You will need my Approach Note Book to get these lines as they are too complex to go into in this lesson)  Whatever your current level, there’s something here for everyone.

Although the lesson is centered around these three background tracks, these concepts can be applied to many more pop and funk tunes.   (38 Minute Video Lesson)

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Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
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Craig
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
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After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
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