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You are here: Home / Sax Lessons / Sax Tone / Sax Intonation Lesson
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Sax Intonation Lesson

Sax Intonation Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 017 Category: Sax Tone Tags: audio lesson, intonation, playing in tune, saxophone
  • Description
  • Reviews (1)
  • Lesson Sample

Description

Having good intonation on the saxophone is crucial! No matter how good your tone might be, or how great your ideas, if you can’t play in tune, it all counts for nothing.

In this lesson, I begin by stressing the importance of intonation when choosing a saxophone and provide simple but important tips to keep in mind when trying out a new saxophone and how to avoid buying the wrong saxophone.

You’ll learn why a tuner is an invaluable tool for evaluating any potential saxophone and why you should take one with you when testing a new sax.

I teach you a simple exercise to help you get to know your saxophone’s intonation tendencies. Get to know every note on your horn and which notes are sharp or flat. This is a real ear opener!

If you know the pitch tendencies of your horn, you can adjust the wayward notes to bring them into tune, but you have to know which notes are out and by how much. I explain how to get to know your sax so that you know what to expect from every note.

I go on to show you some simple tips and tricks that you can use to correct these intonation inconsistencies. How to open your throat, change your air stream and tongue position, to bring these notes into tune.

Tame that sharp upper register! By teaching you how to work with your air and throat and tongue position, I guide you through the process of leaning to control the pitch of these notes and place them so that they play in tune.

I talk about why ear training is so important to playing in tune and how to work on this area to improve the way you hear and play. I then explain how to step beyond our reliance on using the tuner and learn to use our ears to play in tune with other instruments. I show you how you can use your favorite recordings and play along with the masters to learn to “lock in” the note and play with great intonation.

Learn how to play with other horn players. From small combo playing, to school concert band, to big band section playing, we all need to learn how to blend and tune with other horn players. I discuss how to achieve this and why it’s so rewarding when you do.

This lesson is fantastic for anyone who wants to improve their intonation and when combined with my other lessons on “Developing a Great Sound” and “Saxophone Voicing“, provides a comprehensive guide to getting that great saxophone sound we’re all after and learning to control and shape that sound to fit perfectly in any playing situation.  (Audio)

1 review for Sax Intonation Lesson

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    Rated 5 out of 5

    Soruyo – February 10, 2011

    The things covered in this lesson are something every sax player should know about, and put to practice as soon as possible. Incredible useful lesson! A must have.

    Thanks Steve!

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Lesson Sample

https://public.neffmusic.com/Sax%20Intonation%20clip.mp4

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I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
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Kenyon Carter
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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick
Two years later I began a search for a sax teacher and happened to come across Steve Neff when I was searching YouTube for sax teachers.  I went to neffmusic.com and was very impressed with the lessons Steve Neff was offering.  The concept of selecting lessons was an approach that I thought was unique and purchased a few lessons.  I liked the lessons so much that I signed-up for a 6 month package. I was very happy with all the lessons I selected.  I also purchased Steve’s book Mastering the B… Read more
Michael
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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