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Rhythm Changes Lesson 3-Alto Sax

Rhythm Changes Lesson 3-Alto Sax

$9.99

Category: Jazz Standards Tags: alto saxophone, jazz sax, jazz standards, rhythm changes, video lesson
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Description

“Rhythm Changes”  is a term that refers to a certain set of chord changes over a standard AABA song form.  These changes are some of the most common and popular in jazz.  You can not go to an open mic and jam session with hearing rhythm changes played at some point during the night.  Some of the most common standards that have been written over these chords are: Oleo, Anthropology, Dexterity, I Got Rhythm, Moose the Mooche and Cottontail.  There are hundreds more……..

Just as the “blues” is a vital form to learn and master when studying jazz improvisation, rhythm changes is also just as vital.  This is a form that must be studied extensively so that you can play it in any key and at any speed.  If you have ever listened to the music of Charlie Parker you probably already know that Rhythm Changes can many times be played at break neck speeds. If you want to be able to improvise at those speeds then you have to practice this form until you can play ideas at the speed of light.

This is lesson 3 on Rhythm Changes.  In this lesson I finish teaching you how to combine all the elements that I have talked about in Lesson 1 and 2.  I solo over the super fast changes as well as the slower version.  This lesson is primarily for alto saxophone players as the keys and ideas I am talking about are for the alto sax.  All the concepts can be applied to other keys and instruments though.(Video) (32 minutes)

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Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
Absolutely the best learning experience in my 40 years of playing.These books are awesome!!
Alfred LaBella

Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington

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