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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-The Major Minor Blues Scale Lesson 1
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Playing Outside-The Major Minor Blues Scale Lesson 1

Playing Outside-The Major Minor Blues Scale Lesson 1

$9.99

SKU: 270 Category: Modern Improv Tags: major minor blues scale, modern improv, playing outside, video lesson
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Description

This is an exciting lesson!  Earlier this week I was working on a song that is in D minor.  I was playing over it with my typical blues scale type lines when I decided to add a few notes to it.  As I was playing around with it,  I realized that this was a  great sounding scale that sounds a bit outside and hip.  I was so into this scale that I played for hours and hours to that recording.  It sort of reminds me of the sax player Bill Evans and some of the chromatic type lines he plays.  I have never seen this scale before although it probably exists somewhere so I am calling it the Major Minor Blues scale  because it has elements of a minor blues scale and a major blues scale in it. (I was tempted to call it the Neffatonic scale)  If you listen to the clip of the lesson you can get an idea of some of the modern lines you can create with this major minor blues scale. I have included a page of cool lines that I came up with using it in D minor and C minor.  This is only the tip of the iceberg though.  Get this lesson for yourself and dive in to some totally killer lines to amaze your friends and family…….. (27 minute video & PDF)

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I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

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Robert
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
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If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

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I've learned more from you than anyone else in my 40 years of playing.
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
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By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
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Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward

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