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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-Shifting Pentatonics Lesson
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Playing Outside-Shifting Pentatonics Lesson

Playing Outside-Shifting Pentatonics Lesson

Rated 4.50 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 098 Category: Modern Improv Tags: jazz improv, pentatonics, playing outside the changes, video lesson
  • Description
  • Reviews (2)
  • Lesson Sample

Description

In this lesson I introduce a method I use with students to shift in and out of a tonality by shifting to a different pentatonic in the 4th measure of a phrase. I talk about 2 pentatonics I use often to take a line “outside” a minor tonality as well as two pentatonics I use for “inside” playing to give you more options. I talk in depth about how to practice the material as well as demonstrating everything to a play along on my tenor sax. To get the most out of this lesson I suggest you study the other pentatonic lessons first as I will be dealing with the scales I taught in those lessons.  (Video)

 

2 reviews for Playing Outside-Shifting Pentatonics Lesson

  1. Avatar
    Rated 5 out of 5

    Nigel – February 6, 2011

    This lesson is worth its weight in gold! I had already been using shifted pentatonics for a few years. However, 20 minutes of this lesson has really blown the lid off the whole idea for me and moved me so much further forward than my previous years of experimenting. Steve makes the color, tension and excitement of playing outside immediately accessible, by taking relatively simple ideas and demonstrating how to implement them with rhythm, style and conviction in a way that rubs straight off on to the listener. What I particularly like is that the lesson has changed both the way I think, and how I hear a number of notes within a given key. The result of the lesson is not that I am trying to remember a particular pentatonic scale, but that my mental map of how sounds fit together has radically changed, so when I’m improvising now I’m hearing new notes and placing them effectively in to solo lines, whereas before, I would have been avoiding them or simply deaf to their possibilities. Steve is doing much more than teaching a few tricks to make you sound good, he takes time to explain the ideas and encourages you to use them to find your own voice.

  2. Avatar
    Rated 4 out of 5

    Blease (verified owner) – August 14, 2015

    The lesson is good especially for this money – fits the LESSON DESCRIPTION (but nothing more), I add this comment because I’ve bought this lesson because of Nigel’s Review which is much much over-exaggerated.. The content of this lesson don’t dig up nothing new what you can find for free on the topic of modern impro with outside playing on youtube… Anyway Neff keep it up 🙂 I give You 4/5 stars

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Lesson Sample

https://public.neffmusic.com/Playing%20Outside-Shifting%20Pentatonics%20clip.mp4

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Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
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Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
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I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

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