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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-NEW Altered Pentatonics Lesson 2
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Playing Outside-NEW Altered Pentatonics Lesson 2

Playing Outside-NEW Altered Pentatonics Lesson 2

$9.99

Category: Modern Improv Tags: altered pentatonics, improvising, jazz improvisation, saxophone, video lesson
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Description

In this lesson, we are taking a more in-depth look at the use of altered pentatonics to play “outside” a key center.   I made a lesson many years ago that was called “Playing Outside-Altered Pentatonic-One Degree of Separation” that looked at 5 altered pentatonic scales and how we could use them to play “Outside” on a minor tonality.

In this series of lessons, we take another look at those 5 original altered pentatonics but also look at 7 more altered pentatonics.  I demonstrate using them over a groove in D minor (C concert) as I apply the altered pentatonics to them on the soprano saxophone.  I teach you the importance of getting the scales down but also of hearing the altered notes and how they sound against the minor chords. I teach how to resolve the notes and demonstrate weaving back and forth between the altered pentatonic scale and the home base scale of D minor pentatonic.  

This is a great lesson if you struggle with adding variety and “outside” lines to your favorite minor grooves. Mastering these altered pentatonics will give you access to a range of sounds that will make other musicians ask what you were playing and thinking on your last solo……..

(Video Lesson, PDF of two altered pentatonic patterns in D minor)

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Lesson Sample

https://public.neffmusic.com/Playing_Outside-NEW_Altered_Pentatonics_Lesson_2_Clip.mp4

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I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc

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