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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside Approach Note Matrix-Lesson 2
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Playing Outside Approach Note Matrix-Lesson 2

Playing Outside Approach Note Matrix-Lesson 2

$9.99

Category: Modern Improv Tags: approach notes, jazz education, jazz improvisation, modern improv, saxophone, video lesson
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Description

Playing Outside Approach Note Matrix-Lesson 2 is the 2nd video lesson in an advanced series on using approach note patterns to play in a more “outside” modern sound. These type of lines are a common sound to players like Michael Brecker, Bob Berg, and others……… In this series of lessons we are exploring lines that approach all 12 chromatic notes as well as the upper extensions of chords.

In lesson 2, I give you another 4 note approach to work on in different interval schemes. Chromatic, Whole-tones, minor 3rds, major 3rds, 4ths, etc……… Once the approach is mastered for all 12 notes we then apply it to a D minor chord. We start with approaching the chord tones but then we move on to approaching the diatonic non-chord tones and figuring out how to add approaches to these lines to get us to the chord tones. This process creates longer approach lines that weave in and out of the tonality yet always seem to resolve. Lastly, we approach the other 4 notes that are the most dissonant to the minor key and work on ways to also resolve these lines to the chord tones. This is a great lesson for those who want a greater mastery of approach note lines and outside chromatic playing. I’ve been working on this concept myself for the last couple weeks and am discovering some great modern lines along the way.

Join me as we work through different approaches and add them together in future lesson to create chromatic lines that twist and turn through a tonality…….and sound amazing cool along the way! (35 Minute Video Lesson, PDF of approaches to all 12 notes as well as 12 sample resolution lines, C minor(concert) groove play along to practice to)

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I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane

I want to thank you again, because, not only are you an inspiration to listen to, you are a fine teacher!

I have been teaching sax and other winds for over 20 years, and you give me that “push” to give my students more!

Mark Peotter

Mark Peotter
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
Hi Steve, I live in a gorgeous but rural area of Oregon-no music store within 80 miles. Your lessons are my lifeline!  Truly the best there are anywhere online. Love your playing. Love your teaching.  Thanks again. Ed
Ed Woodmansee
I want to let you know that your instructional material is transforming my playing.  It is an immense pleasure to learn and play now, and I can’t tell you how grateful I am. The instructional material I got from you is by far the best of any I own (and I have over 100 books, DVDs, and what not). I literally can’t thank you enough! Deric
Deric
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
Tony Galfano

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