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You are here: Home / Jazz Lessons / Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 1
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Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 1

Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 1

$9.99

Categories: Jazz Lessons, Modern Improv Tags: 4 tonic, jazz improvisation, pentatonics, saxophone, video lesson
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Description

Playing Outside-4 Tonic Dominant b9 Pentatonics-Lesson 1 is the first lesson in a new lesson series based on the concept of using a dominant b9 pentatonic scale in 4 different keys over a minor tonality to create hip modern lines.

These great sounding pentatonic lines are all taken out of the diminished scale and give you some great approaches to creating lines that sound “outside”. I include a PDF with the Dominant b9 Pentatonics written out in the 4 keys we will be working on in this lesson. I also have written these lines out in 8 different pentatonic patterns for you to practice.

In this 36 minute video lesson, I take you through the steps in learning these 4 pentatonic scales and then show you how to best practice them to the play along. I demonstrate them for you to the playalong with the soprano saxophone. This is a great lesson to give you a unique way to create lines over a minor groove or minor ii-V-i progression. It’s also a great lesson to give you more insight and use of the diminished scale while soloing. (36 Minute Video Lesson, PDF of patterns in Bb, Eb and C, Playalong in C Minor Concert)

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Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
Paul
I just wanted to write a thank you note to you for this website. I play and teach saxophone, but I have always been intimidated by the gear aspect. Your website has helped me become a lot more knowledgable. Your knowledge is staggering! I’m telling all my students about your website. Pierre
Pierre
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter

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