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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-4 Note Pentatonic Cells Lesson
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Playing Outside-4 Note Pentatonic Cells Lesson

Playing Outside-4 Note Pentatonic Cells Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Modern Improv Tags: chromaticism, modern improv, pentatonic shifting, playing outside, video lessons
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  • Reviews (1)
  • Lesson Sample

Description

Playing Outside-Outside 4 Note Pentatonic Cells is another lesson on modern jazz improvisation.  In this lesson we take a look at “playing outside” the tonality of a tune by shifting out of a minor 6th pentatonic using specific 4 note cells derived from a pentatonic scale in another key.

In this 34 minute video lesson, I show you how to shift outside of a key momentarily using 4 note cells chosen from other pentatonic scales. This concept gives the soloist a sound that quickly shifts in and out of the key being played in. I demonstrate the technique on the soprano saxophone with a play along track. I have also included a PDF sheet of some minor 6th pentatonic lines as well as a PDF of 7 cells that sound amazing when inserted into these minor 6th lines.

This lesson goes hand in hand with my lesson “Modern Minor 6th Pentatonic Lines” and is a great lesson for those of you who want to grow in your ability to play “outside” fresh lines that sound modern and impressive.(34 minute video, 2 PDF sheets)

1 review for Playing Outside-4 Note Pentatonic Cells Lesson

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    Rated 5 out of 5

    nigel bispham – October 17, 2014

    This lesson is genius! It has completely revolutionised my approach to playing outside. Steve’s real strength is that he not only provides a really clear rationale for how to approach a new concept, with lots of inspiring examples, but he leaves the door open for you to use your own creativity to rapidly make what you have learned your own. In fact, he actively encourages this, which for me is the mark of a great teacher, in so much as he can present an idea in such a way as to really inspire you to want to use it in your improvisation. I defy any serious improviser not to find this lesson incredibly useful and worth its weight in gold!

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I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
I have NEVER seen material like yours.  Amazing!!
Jerry

Hello Steve,

I just want to say thank you so much for your unbelievable work, it is just mind opening, thanks for sharing it.

Wolfgang from Berlin

Wolfgang from Berlin

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