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You are here: Home / Jazz Lessons / Modern Improv / Playing Outside-4 Note Pentatonic Cells Lesson
Playing Outside-4 Note Pentatonic Cells Lesson

Playing Outside-4 Note Pentatonic Cells Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

Category: Modern Improv Tags: chromaticism, modern improv, pentatonic shifting, playing outside, video lessons
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  • Reviews (1)
  • Lesson Sample

Description

Playing Outside-Outside 4 Note Pentatonic Cells is another lesson on modern jazz improvisation.  In this lesson we take a look at “playing outside” the tonality of a tune by shifting out of a minor 6th pentatonic using specific 4 note cells derived from a pentatonic scale in another key.

In this 34 minute video lesson, I show you how to shift outside of a key momentarily using 4 note cells chosen from other pentatonic scales. This concept gives the soloist a sound that quickly shifts in and out of the key being played in. I demonstrate the technique on the soprano saxophone with a play along track. I have also included a PDF sheet of some minor 6th pentatonic lines as well as a PDF of 7 cells that sound amazing when inserted into these minor 6th lines.

This lesson goes hand in hand with my lesson “Modern Minor 6th Pentatonic Lines” and is a great lesson for those of you who want to grow in your ability to play “outside” fresh lines that sound modern and impressive.(34 minute video, 2 PDF sheets)

1 review for Playing Outside-4 Note Pentatonic Cells Lesson

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    Rated 5 out of 5

    nigel bispham – October 17, 2014

    This lesson is genius! It has completely revolutionised my approach to playing outside. Steve’s real strength is that he not only provides a really clear rationale for how to approach a new concept, with lots of inspiring examples, but he leaves the door open for you to use your own creativity to rapidly make what you have learned your own. In fact, he actively encourages this, which for me is the mark of a great teacher, in so much as he can present an idea in such a way as to really inspire you to want to use it in your improvisation. I defy any serious improviser not to find this lesson incredibly useful and worth its weight in gold!

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Lesson Sample

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I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
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Ray
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

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I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
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