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You are here: Home / Jazz Lessons / Scale Studies / Out Of Nowhere-Pentatonic Lesson
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Out Of Nowhere-Pentatonic Lesson

Out Of Nowhere-Pentatonic Lesson

$9.99

SKU: 067 Category: Scale Studies Tags: jazz improvisation, Out of Nowhere, pentatonic scales, video lesson
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  • Reviews (2)
  • Lesson Sample

Description

In this lesson I show you how I would use an assortment of pentatonic scales over a standard like “Out of Nowhere”. Included in the lesson is a 2 chorus solo I wrote out using only pentatonic scales. I play through the solo for you over the changes so you can hear how the different pentatonic scales sound. This lesson is the next step if you have studied my first two lessons on pentatonics. My goal with this lesson is to show you how you can take what you’ve learned about pentatonics so far and apply them to standards. Enjoy!   (Audio & PDF)

2 reviews for Out Of Nowhere-Pentatonic Lesson

  1. Avatar

    Jeff Taylor – May 23, 2015

    Hi Steve, great exercise. I found a typo in measure 16 over the E7(b9). Shouldn’t be an “A” in that measure. HTH, best wishes

    • Steve

      Steve – May 23, 2015

      Hi Jeff,
      Yes, the A was a passing note I added because it sounded good in the line. The line is mostly B minor 6 b5 though…………….

  2. Avatar

    Jeff Taylor – May 24, 2015

    Np was just following your other choices in the various pentatonic lines and associated chords. Noticed PT’s in the non pentatonic iideas though, so all good.

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Lesson Sample

https://public.neffmusic.com/Out%20Of%20Nowhere%20(Pentatonic%20Solo)%20clip.mp4

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Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

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I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
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Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
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Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
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