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You are here: Home / Jazz Lessons / Bebop Scales / Mastering the Dominant Bebop Scale Lesson 13
Mastering the Dominant Bebop Scale Lesson 13

Mastering the Dominant Bebop Scale Lesson 13

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 181 Category: Bebop Scales Tags: bebop scale, jazz improvisation, jazz lines, patterns, video lesson
  • Description
  • Reviews (1)
  • Lesson Sample

Description

This is Lesson 13  of my series on “Mastering the Dominant Bebop Scale”.  In this lesson I introduce you to two new bebop links to work on #4 and #5.  I give you five lines to practice in all keys that mix up the links that we have worked on so far.  I teach you how to think about shortcuts when looking at patterns and licks and give you a few ideas on how I look at these links.  I also give you a new resolution links that you can use to easily create II-V-I patterns using the bebop scale lines.  This is an exciting  series of lessons if you are someone who really wants to master the bebop language.  This lesson comes with a  PDF and I demonstrate the examples with the tenor saxophone.   (Video,Audio & PDF)

1 review for Mastering the Dominant Bebop Scale Lesson 13

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    Rated 5 out of 5

    Steve Mann – January 31, 2010

    My first lesson and its great to have the examples played,makes everything much clearer. Its as if the teacher is in your living room.Always great to have another horn player in the house. You break it down to practice and ear training.

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Lesson Sample

https://public.neffmusic.com/Mastering%20the%20Dominant%20Bebop%20Scale%20Lesson%2013.mp4

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Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
I would like to say that in the last year my sax playing has progressed loads from your lessons. I have had a sax for about 20 years and dabbled with lessons from a few teachers and have learnt very little from them. As you have said in your lessons many teachers tell you to use the blues scale and leave it there, not even showing you the resolution points!!. I am now believing I can in time become a good improviser.
Thanks again,
Shane
Shane
Steve- I joined your site this month and have downloaded 4 lessons and also purchased your new book and video on diatonic patterns. I just want to say I am very pleased with your approach and teaching techniques. I am getting back into playing after laying off for some time. The information you offer on your site is of great value and I am enjoying being a member. Thank you for what you are doing for the saxophone community.
Tony
Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

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I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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Lenore
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