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You are here: Home / Jazz Lessons / Bebop Scales / Mastering the Dominant Bebop Scale Lesson 13
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Mastering the Dominant Bebop Scale Lesson 13

Mastering the Dominant Bebop Scale Lesson 13

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 181 Category: Bebop Scales Tags: bebop scale, jazz improvisation, jazz lines, patterns, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

This is Lesson 13  of my series on “Mastering the Dominant Bebop Scale”.  In this lesson I introduce you to two new bebop links to work on #4 and #5.  I give you five lines to practice in all keys that mix up the links that we have worked on so far.  I teach you how to think about shortcuts when looking at patterns and licks and give you a few ideas on how I look at these links.  I also give you a new resolution links that you can use to easily create II-V-I patterns using the bebop scale lines.  This is an exciting  series of lessons if you are someone who really wants to master the bebop language.  This lesson comes with a  PDF and I demonstrate the examples with the tenor saxophone.   (Video,Audio & PDF)

1 review for Mastering the Dominant Bebop Scale Lesson 13

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    Rated 5 out of 5

    Steve Mann – January 31, 2010

    My first lesson and its great to have the examples played,makes everything much clearer. Its as if the teacher is in your living room.Always great to have another horn player in the house. You break it down to practice and ear training.

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For anyone living in remote areas away from live jazz sax teachers, Neff is the way to go. In fact this is a great resource for anyone seriously interested in mastering the sax. I’ve never been disappointed in a lesson.
Oliver
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It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
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Alfred LaBella
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I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
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I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
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I’ve been downloading your lessons for 4 months now (20 lesson) and I have noticed tremendous growth in my playing thus far! I’m so happy that I stumbled upon your site!
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I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
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Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
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Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
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