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You are here: Home / Jazz Lessons / Bebop Scales / Mastering The Dominant Bebop Scale Lesson 1
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Mastering The Dominant Bebop Scale Lesson 1

Mastering The Dominant Bebop Scale Lesson 1

Rated 5.00 out of 5 based on 4 customer ratings
(4 customer reviews)

$9.99

SKU: 135 Category: Bebop Scales Tags: bebop scale, jazz improvisation, jazz lines, patterns, video lesson
  • Description
  • Reviews (4)
  • Lesson Sample

Description

In this series of lessons I take you step by step through the process of mastering the dominant bebop scale. The dominant bebop scale is a vital ingredient to mastering the bebop style. I take you from the very beginning of learning the scales and how to practice them all the way through to adding bebop links to the scales as well as resolution links. In this first lesson we talk about how the scale is built and I demonstrate how to practice the scale starting on the roots and traveling around the circle of 5ths. The goal of this lesson series is for you too be completely comfortable with this scale in all keys and to have mastered dozens of bebop phrases and licks. By the end of this series your bebop language will be transformed. You will need my book “Mastering the Dominant Bebop Scale ” to get the most out of these lessons. Enjoy!  (Video & Audio)

 

4 reviews for Mastering The Dominant Bebop Scale Lesson 1

  1. Avatar
    Rated 5 out of 5

    Robert – October 8, 2009

    I like these lessons. I am using these lessons to get to grip with playing bebop. I have progressed to lesson 5 so far. They are simply laid out. You don’t have too much to work on at once. I would recommend them.

  2. Avatar
    Rated 5 out of 5

    Andrew Houston – November 16, 2009

    This series is fantastic. Each lesson contains very logical and easy to follow plans. Following the method that Steve lays out is well worth the effort and I am seeing improvement in my own playing.

    I really enjoy each step as it is introduced and the challenge of moving each exercise through every key ascending and descending and starting on different chord tones. This method also has significant merit and application in any scales or patterns that you play.

    Each lesson contains a great deal of work but the beauty of this system is that you can work through it at your own pace and listen or watch the same lesson over again as you need or wish.

    I have paid other teachers far greater money for less information.

    The links that Steve introduces into the scales also give you many more options and ideas and they sound great too.

    Highly recommended!

  3. Avatar
    Rated 5 out of 5

    Soruyu – December 5, 2009

    I am now in the 10th lesson of this series and I am excited as a child with a new toy in christmas! I’ve been playing alto sax since 1992 and lost many years with teachers here and there who never really knew how to teach. I was stuck for years and years until I found this site.

    Steve is incredible good both as musician and as teacher, not every good musician can do teaching well. He has that talent, among others, he knows how to make you improve at your instrument. I am from Mexico and my english is not very good, so be sure I am short at what I want to express when talking about Steve.

    I highly recomend being a member of this site, the benefits are priceless!

  4. Avatar
    Rated 5 out of 5

    Andrew Harris – September 18, 2012

    OK, you’ve all seen the 5 star ratings (including mine) so you already know this is a terrific course – as usual from Steve. I thought I would share my practical experience of using it and hopefully it will help you decide whether to invest the time needed to work through these materials.

    I’m basically an enthusiastic beginner, after playing sax for about a year. I know my major scales, but haven’t learnt the blues scales yet (yes Steve, I know I should do that first). I want to sound half decent on my tenor as fast as possible, but I started as an adult and have too little time to practice. I love that bebop sound, but don’t know where to start with it. Most of all, I’m daunted by the seemingly endless things I have to learn even to play a reasonable solo over a basic tune. Maybe there are a few others like me out there 🙂

    I came across this series and thought I would have a go at it even though it is listed under “intermediate” rather than “beginner”. Because it is progressive, you can take it at your own speed and gradually work through the materials. Steve breaks down the learning into manageable chunks that don’t feel too overwhelming as long as you take your time. Here are my experiences:

    First, it does take quite some time investment (especially if you are early in your sax career, like me). It’s taken me about 3 months to get to lesson 7 or so. Realistically I’m expecting the whole course will take me 6-9 months to do it properly.

    Second, especially for the first few lessons which focus on the scales and chord tones, you just have to work through it. Once Steve introduces the links (around lesson 7 or 8 I think) you immediately start to sound significantly better. Literally, you put in one single link and it already sounds like you know what you’re doing! Something to look forward to when you start to get bogged down in playing Db downwards from the b7 🙂

    Third, it’s highly motivational and easy to get into what you are learning. You really hear yourself make progress every single week (as does anyone who has to listen to you practice). My family is constantly telling me how much improvement I am making.

    Fourth, you absolutely WILL learn your scales and chord tones, inside out. I did the flashcard thing and can now name all my 7 chords no problem. Extremely helpful for knowing how to resolve lines etc. Steve says in the lessons that you should ideally know all this stuff before you start. On the other hand, the course will force you to catch up, and fast.

    Fifth, a weird thing happens after a while. More and more as I play the materials, I’m starting to “feel” the scales in my fingers. I know it sounds strange, but each scale really does have a different feel to it. I’ve almost reached the point now where I think “F#7″ and “third”, and miraculously the right scale comes out starting on the A#! I couldn’t even tell you what notes I’m playing, it just seems to happen automatically. Probably all the experienced players out there get that feeling all the time, but for me I still find it amazing when it happens.

    So, in summary – should you take on this course as a beginner? I would say as long as you are motivated to practice and keep at it for a few months, you will see enormous improvement very quickly. It will be reasonably hard work, but if you put in the effort your playing will be transformed. For me at least, this is BY FAR the best decision I ever made in terms of how to invest my limited practice time.

    I hope this review is helpful for you. If you do decide to go ahead, I wish you good luck and trust your experiences will be as good as mine!

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Lesson Sample

https://public.neffmusic.com/Mastering%20the%20Dominant%20Bebop%20Scale%20Lesson%201%20clip.mp4

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Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony

After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe

I must say again how much I appreciate all your material. Including the video tutorials. It help keep me focused and knowing what to aim for. And your laid back teaching style appeals to me too. 

Thanks

P

P

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David

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