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You are here: Home / Jazz Lessons / Bebop Scales / Mastering The Dominant Bebop Scale Lesson 1
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Mastering The Dominant Bebop Scale Lesson 1

Mastering The Dominant Bebop Scale Lesson 1

Rated 5.00 out of 5 based on 4 customer ratings
(4 customer reviews)

$9.99

SKU: 135 Category: Bebop Scales Tags: bebop scale, jazz improvisation, jazz lines, patterns, video lesson
  • Description
  • Reviews (4)
  • Lesson Sample

Description

In this series of lessons I take you step by step through the process of mastering the dominant bebop scale. The dominant bebop scale is a vital ingredient to mastering the bebop style. I take you from the very beginning of learning the scales and how to practice them all the way through to adding bebop links to the scales as well as resolution links. In this first lesson we talk about how the scale is built and I demonstrate how to practice the scale starting on the roots and traveling around the circle of 5ths. The goal of this lesson series is for you too be completely comfortable with this scale in all keys and to have mastered dozens of bebop phrases and licks. By the end of this series your bebop language will be transformed. You will need my book “Mastering the Dominant Bebop Scale ” to get the most out of these lessons. Enjoy!  (Video & Audio)

 

4 reviews for Mastering The Dominant Bebop Scale Lesson 1

  1. Avatar
    Rated 5 out of 5

    Robert – October 8, 2009

    I like these lessons. I am using these lessons to get to grip with playing bebop. I have progressed to lesson 5 so far. They are simply laid out. You don’t have too much to work on at once. I would recommend them.

  2. Avatar
    Rated 5 out of 5

    Andrew Houston – November 16, 2009

    This series is fantastic. Each lesson contains very logical and easy to follow plans. Following the method that Steve lays out is well worth the effort and I am seeing improvement in my own playing.

    I really enjoy each step as it is introduced and the challenge of moving each exercise through every key ascending and descending and starting on different chord tones. This method also has significant merit and application in any scales or patterns that you play.

    Each lesson contains a great deal of work but the beauty of this system is that you can work through it at your own pace and listen or watch the same lesson over again as you need or wish.

    I have paid other teachers far greater money for less information.

    The links that Steve introduces into the scales also give you many more options and ideas and they sound great too.

    Highly recommended!

  3. Avatar
    Rated 5 out of 5

    Soruyu – December 5, 2009

    I am now in the 10th lesson of this series and I am excited as a child with a new toy in christmas! I’ve been playing alto sax since 1992 and lost many years with teachers here and there who never really knew how to teach. I was stuck for years and years until I found this site.

    Steve is incredible good both as musician and as teacher, not every good musician can do teaching well. He has that talent, among others, he knows how to make you improve at your instrument. I am from Mexico and my english is not very good, so be sure I am short at what I want to express when talking about Steve.

    I highly recomend being a member of this site, the benefits are priceless!

  4. Avatar
    Rated 5 out of 5

    Andrew Harris – September 18, 2012

    OK, you’ve all seen the 5 star ratings (including mine) so you already know this is a terrific course – as usual from Steve. I thought I would share my practical experience of using it and hopefully it will help you decide whether to invest the time needed to work through these materials.

    I’m basically an enthusiastic beginner, after playing sax for about a year. I know my major scales, but haven’t learnt the blues scales yet (yes Steve, I know I should do that first). I want to sound half decent on my tenor as fast as possible, but I started as an adult and have too little time to practice. I love that bebop sound, but don’t know where to start with it. Most of all, I’m daunted by the seemingly endless things I have to learn even to play a reasonable solo over a basic tune. Maybe there are a few others like me out there 🙂

    I came across this series and thought I would have a go at it even though it is listed under “intermediate” rather than “beginner”. Because it is progressive, you can take it at your own speed and gradually work through the materials. Steve breaks down the learning into manageable chunks that don’t feel too overwhelming as long as you take your time. Here are my experiences:

    First, it does take quite some time investment (especially if you are early in your sax career, like me). It’s taken me about 3 months to get to lesson 7 or so. Realistically I’m expecting the whole course will take me 6-9 months to do it properly.

    Second, especially for the first few lessons which focus on the scales and chord tones, you just have to work through it. Once Steve introduces the links (around lesson 7 or 8 I think) you immediately start to sound significantly better. Literally, you put in one single link and it already sounds like you know what you’re doing! Something to look forward to when you start to get bogged down in playing Db downwards from the b7 🙂

    Third, it’s highly motivational and easy to get into what you are learning. You really hear yourself make progress every single week (as does anyone who has to listen to you practice). My family is constantly telling me how much improvement I am making.

    Fourth, you absolutely WILL learn your scales and chord tones, inside out. I did the flashcard thing and can now name all my 7 chords no problem. Extremely helpful for knowing how to resolve lines etc. Steve says in the lessons that you should ideally know all this stuff before you start. On the other hand, the course will force you to catch up, and fast.

    Fifth, a weird thing happens after a while. More and more as I play the materials, I’m starting to “feel” the scales in my fingers. I know it sounds strange, but each scale really does have a different feel to it. I’ve almost reached the point now where I think “F#7″ and “third”, and miraculously the right scale comes out starting on the A#! I couldn’t even tell you what notes I’m playing, it just seems to happen automatically. Probably all the experienced players out there get that feeling all the time, but for me I still find it amazing when it happens.

    So, in summary – should you take on this course as a beginner? I would say as long as you are motivated to practice and keep at it for a few months, you will see enormous improvement very quickly. It will be reasonably hard work, but if you put in the effort your playing will be transformed. For me at least, this is BY FAR the best decision I ever made in terms of how to invest my limited practice time.

    I hope this review is helpful for you. If you do decide to go ahead, I wish you good luck and trust your experiences will be as good as mine!

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Testimonials

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Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
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Hi Steve, I have been shedding your materials for quite a while now and I love them! They are extremely well organized and presented and there are tons of ’em! I really appreciate your methodical approach and find myself referring students to your resources often.  Thanks so much!  
Kenyon Carter
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Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
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Steve, just a note to say thanks.

I’ve been playing a long time, but your material, laid out in such a thoughtful way, helps me to understand concepts in a new and deeper way.

You are a true gift to the jazz community.

60 lessons and going strong,

Kevin Ledbetter

Kevin Ledbetter
1 2 3 4 5
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
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I want to thank you for your “Ultimate II-V-I Primer”  which has sent me off on a much better path to improvisation.  The primer and the four bound books I have will keep me busy for a long time.  I like your lessons for two reasons.  The lessons work and THEY ARE FUN.  Thanks again.

Robert

Robert
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Mr. Neff,  I want to thank you for sharing your God-given talents through your on-line lessons.  My husband, Michael, is blind, but he is a great sax player and he has been enjoying your lessons for quite some time now.  It’s not unusual for me to hear “Hey, babe, listen to THIS!” – and he will cut loose on his sax, just thrilled at what he learned during his session with you.  His excitement warms my heart!  You have no idea how much you have poured into my husband.  You have opened musical … Read more

Carole B
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I’m an experienced player in the pop/soul/funk areas of music and, previously, classical.  Over the decades I’ve been playing, I’ve always felt that I could do what I needed in those styles of music.  However, recently I began to feel limited by my use of the same old licks. When I discovered Steve Neff’s website, and heard the audio examples based on the exercises in his books, I realized they were what I needed.  I purchased all of them and have been working on them since.  It’s very hard work… Read more
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Alfred LaBella
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Steve,  Just want to say thanks for all you are doing for all of us. I’ve learned more from you than anyone else in my 40 years of playing.

If you can give some tips on One Note Samba, Ceora, and Wave… that would be cool.  I really like learning how you apply your concepts to actual songs!

Have a great year,

Kevin Ledbetter

I've learned more from you than anyone else in my 40 years of playing.
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