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You are here: Home / Jazz Lessons / Bebop Scales / Mastering The Dominant Bebop Scale Lesson 1
Mastering The Dominant Bebop Scale Lesson 1

Mastering The Dominant Bebop Scale Lesson 1

Rated 5.00 out of 5 based on 4 customer ratings
(4 customer reviews)

$9.99

SKU: 135 Category: Bebop Scales Tags: bebop scale, jazz improvisation, jazz lines, patterns, video lesson
  • Description
  • Reviews (4)
  • Lesson Sample

Description

In this series of lessons I take you step by step through the process of mastering the dominant bebop scale. The dominant bebop scale is a vital ingredient to mastering the bebop style. I take you from the very beginning of learning the scales and how to practice them all the way through to adding bebop links to the scales as well as resolution links. In this first lesson we talk about how the scale is built and I demonstrate how to practice the scale starting on the roots and traveling around the circle of 5ths. The goal of this lesson series is for you too be completely comfortable with this scale in all keys and to have mastered dozens of bebop phrases and licks. By the end of this series your bebop language will be transformed. You will need my book “Mastering the Dominant Bebop Scale ” to get the most out of these lessons. Enjoy!  (Video & Audio)

 

4 reviews for Mastering The Dominant Bebop Scale Lesson 1

  1. Avatar
    Rated 5 out of 5

    Robert – October 8, 2009

    I like these lessons. I am using these lessons to get to grip with playing bebop. I have progressed to lesson 5 so far. They are simply laid out. You don’t have too much to work on at once. I would recommend them.

  2. Avatar
    Rated 5 out of 5

    Andrew Houston – November 16, 2009

    This series is fantastic. Each lesson contains very logical and easy to follow plans. Following the method that Steve lays out is well worth the effort and I am seeing improvement in my own playing.

    I really enjoy each step as it is introduced and the challenge of moving each exercise through every key ascending and descending and starting on different chord tones. This method also has significant merit and application in any scales or patterns that you play.

    Each lesson contains a great deal of work but the beauty of this system is that you can work through it at your own pace and listen or watch the same lesson over again as you need or wish.

    I have paid other teachers far greater money for less information.

    The links that Steve introduces into the scales also give you many more options and ideas and they sound great too.

    Highly recommended!

  3. Avatar
    Rated 5 out of 5

    Soruyu – December 5, 2009

    I am now in the 10th lesson of this series and I am excited as a child with a new toy in christmas! I’ve been playing alto sax since 1992 and lost many years with teachers here and there who never really knew how to teach. I was stuck for years and years until I found this site.

    Steve is incredible good both as musician and as teacher, not every good musician can do teaching well. He has that talent, among others, he knows how to make you improve at your instrument. I am from Mexico and my english is not very good, so be sure I am short at what I want to express when talking about Steve.

    I highly recomend being a member of this site, the benefits are priceless!

  4. Avatar
    Rated 5 out of 5

    Andrew Harris – September 18, 2012

    OK, you’ve all seen the 5 star ratings (including mine) so you already know this is a terrific course – as usual from Steve. I thought I would share my practical experience of using it and hopefully it will help you decide whether to invest the time needed to work through these materials.

    I’m basically an enthusiastic beginner, after playing sax for about a year. I know my major scales, but haven’t learnt the blues scales yet (yes Steve, I know I should do that first). I want to sound half decent on my tenor as fast as possible, but I started as an adult and have too little time to practice. I love that bebop sound, but don’t know where to start with it. Most of all, I’m daunted by the seemingly endless things I have to learn even to play a reasonable solo over a basic tune. Maybe there are a few others like me out there 🙂

    I came across this series and thought I would have a go at it even though it is listed under “intermediate” rather than “beginner”. Because it is progressive, you can take it at your own speed and gradually work through the materials. Steve breaks down the learning into manageable chunks that don’t feel too overwhelming as long as you take your time. Here are my experiences:

    First, it does take quite some time investment (especially if you are early in your sax career, like me). It’s taken me about 3 months to get to lesson 7 or so. Realistically I’m expecting the whole course will take me 6-9 months to do it properly.

    Second, especially for the first few lessons which focus on the scales and chord tones, you just have to work through it. Once Steve introduces the links (around lesson 7 or 8 I think) you immediately start to sound significantly better. Literally, you put in one single link and it already sounds like you know what you’re doing! Something to look forward to when you start to get bogged down in playing Db downwards from the b7 🙂

    Third, it’s highly motivational and easy to get into what you are learning. You really hear yourself make progress every single week (as does anyone who has to listen to you practice). My family is constantly telling me how much improvement I am making.

    Fourth, you absolutely WILL learn your scales and chord tones, inside out. I did the flashcard thing and can now name all my 7 chords no problem. Extremely helpful for knowing how to resolve lines etc. Steve says in the lessons that you should ideally know all this stuff before you start. On the other hand, the course will force you to catch up, and fast.

    Fifth, a weird thing happens after a while. More and more as I play the materials, I’m starting to “feel” the scales in my fingers. I know it sounds strange, but each scale really does have a different feel to it. I’ve almost reached the point now where I think “F#7″ and “third”, and miraculously the right scale comes out starting on the A#! I couldn’t even tell you what notes I’m playing, it just seems to happen automatically. Probably all the experienced players out there get that feeling all the time, but for me I still find it amazing when it happens.

    So, in summary – should you take on this course as a beginner? I would say as long as you are motivated to practice and keep at it for a few months, you will see enormous improvement very quickly. It will be reasonably hard work, but if you put in the effort your playing will be transformed. For me at least, this is BY FAR the best decision I ever made in terms of how to invest my limited practice time.

    I hope this review is helpful for you. If you do decide to go ahead, I wish you good luck and trust your experiences will be as good as mine!

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Lesson Sample

https://public.neffmusic.com/Mastering%20the%20Dominant%20Bebop%20Scale%20Lesson%201%20clip.mp4

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Testimonials

I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Steve really changed my way of practicing: I got a whole lot of new ideas for my playing the tenor.  His lessons are really helpful, give a lot stuff to practice and give clear answers to complicated stuff.  Steve has a lot of humor and I wish I had laughed so much in my former days with the horn.  All topics, from Blues to Approach note are dealt with clearness that wet ones appetite to play and practice that great ideas.
Uwe
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!
I’ve been having ‘ online’  lessons with Steve for a few months now. Being a teacher myself I had had some reservations with the idea at first and the practicalities of it .  Let me just say that my playing has taken a huge leaps forward while studying with Steve and continues to do so.Steve studied with some renowned player/teachers such as Bergonzi and Garzone– this in itself is invaluable but Steve teaches from his own books, which cover a a vast amount of  jazz language. Steve h… Read more
David

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)

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