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You are here: Home / Jazz Lessons / II-V-I Patterns / Mastering a Hard Pattern Lesson 2-Lick 19
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Mastering a Hard Pattern Lesson 2-Lick 19

Mastering a Hard Pattern Lesson 2-Lick 19

$9.99

Categories: II-V-I Patterns, Practice Habits Tags: ii-V-I lick, jazz improvisation, modern improv, pattern, practice habits, video lesson
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Description

In Lesson 1 of “Mastering a Hard Pattern-Lick 19, I tackled the process of learning a somewhat harder lick and talked about all the steps involved in learning it so that it is mastered.  I took pattern 19 in my book “Best Major II-V-I Patterns and taught you the process I would use to  learn and then master this line in all 12 keys.

Many students are just told to go and learn a lick or pattern in all 12 keys but very few students are actually taught the process involved in doing this.  First,  you have to play the pattern and understand the elements that make it up.  Then you have to break it down to instructions that will work for you so that you can use those instruction to then recreate the pattern in every key.  After that, comes the practice and repetition required to master the line so that it can easily be used while improvising effortlessly.

In Lesson 2, I teach you six more ways to apply this pattern to ii-V-I progressions using chord substitutions.  Mastering a pattern or concept is not just about learning the phrase verbatim but it is about mastering the pattern so that you can use it infinite ways.  When you master the art of learning this way your lines and ideas can exponentially multiply. I demonstrate all the lines on the tenor sax to a play along so that you can hear each application of the line with the chords. (37 Minute Video Lesson, Play Along for C, Eb and Bb instruments, PDF Sheet of ii-V-I Lick variations)

 

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Lesson Sample

https://public.neffmusic.com/Practicing_a_Hard_Lick_to_Completion_Lesson-Lick_19Clip.mp4

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Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John

Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

Jean-Eric
Hey Steve! I hope you and your family are well.  I’m just writing to say thank you so much for all the resources you have made available to the saxophone community. I have been using your material for many years and I always come back to it… in fact I just took a break from practicing to write this…( reviewing “CreatingModern II-V-I Lines with simple pentatonics”.) I am, and continue to be, one of your raving fans! Blessings to you and your family this holiday season! Wishing… Read more
Gerry Aylward
Hi Steve, I can’t express just how much I appreciate your teaching. My playing has improved so much over the past year since I have been studying and practicing with your lessons. It is possible to teach an old dog new tricks, these lessons are proof! Thanks, Michael Byington
Michael Byington
I can’t say enough about my membership at Neff Music. Steve has taken the mystery out of playing the saxophone well and improvising both jazz and rock music. Like most struggling players I have a load of all sorts of books on my shelf just gathering dust. Books that I didn’t understand or know how to put to use…or just have the time to go threw them. Steve’s lessons really simplify things and he puts it in a way that I can understand. They inspire me to keep pushing and having him as my guide or… Read more
Ken

Never really had lessons before just kinda worked things out on my own. Was in a rut but your lessons are really helpful in opening melodic possibilities. Ur an awesome resource to the saxophone community. Thanks for sharing. 

Anthony
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
By the way, BIG COMPLIMENTS to you, Steve! Not only are you a great player, you are also a great teacher! I, too, am a woodwinds player/teacher. I have new inspiration to play and teach because of you. The concepts and “thinking” is similar to what I already learned in College, but hearing you explain and PLAY the concepts REALLY MAKES THE DIFFERENCE! Also, your written patterns are more interesting than other books I have seen! Keep up the good work. I will be recommending your sit… Read more
I will be recommending your site to others!

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