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You are here: Home / Jazz Lessons / Chord Studies / Major Triad Intermediate Workout Lesson
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Major Triad Intermediate Workout Lesson

Major Triad Intermediate Workout Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 151 Category: Chord Studies Tags: chord patterns, jazz improvisation, major triads, scale exercises, video lesson
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  • Reviews (1)
  • Lesson Sample

Description

This is another lesson on using major triads. In this lesson I talk to you about some more intermediate concepts that you can use to solidify your triads and how to use them. I give you some exercises to run through the circle of fifths that will help you to master every inversion of the triads and to create long flowing lines that are woven through the changes.  Many new improvisers are enslaved by the structure of the chord changes.  This lesson is to help you break free of the confines of the chords and be able to create long flowing lines that flow through the changes and are not determined by them.  You should have the previous lessons on triads mastered before you tackle this one.  Enjoy! (Video,Audio,PDF)

 

1 review for Major Triad Intermediate Workout Lesson

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    Rated 5 out of 5

    Stephen – November 27, 2010

    This lesson is an important cornerstone of your improvisation technique; it encourages thinking of chords as patterns and heightens thought around chord inversions, it also primes your mind to memorize the patterns in all keys. It is not an easy lesson but it is worth the time you spend on it. Thanks Steve

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Lesson Sample

https://public.neffmusic.com/Major%20Triad%20Intermediate%20Workout%20clip.mp4

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It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
I just started looking at my lessons and I have to say, dude you are awesome.  I ABSOLUTELY will learn from you!  I started the tenor about 1 ½ yrs ago and have since picked up an alto, and more recently a soprano.  I spend most of the time on the tenor, followed by soprano, and have only gotten to the alto a few times.  I think I’ll be sticking with tenor.  I’m having a great time and hope one day to play well enough to get regular gigs.  I’ve been playing keys for about 35 years (… Read more
Wil
Just a brief note to compliment you on your teaching skills and in particular for the honesty of your lessons.  I am a returning alto sax player in my 50’s and I was looking for a no nonsense, straight to the point kind of guidance. I had intended to email you with a few questions regarding the use of the bis key but then I noticed that there was a lesson on that specific topic and after viewing it,  all my questions were answered. I once took a group lesson with a well known professional sax … Read more
Patrick

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
I have NEVER seen material like yours.  Amazing!!
Jerry
Just to say thanks for your advice and lessons.  I’ve just read your amazing story.  I really appreciate what you do in regards to teaching.  I have bought a couple of your lessons and frankly they’re undersold.   I’ve learned much more with these two lessons than with 2 years of sax teachers.   Thanks so much………..
Mike
First, I’m really excited about your materials! This site is a vast resource for any aspiring (and maybe already inspired) jazz musicians. I’m not a sax player, I play mandolin and fiddle, but have been learning jazz and playing weekly with a quintet for the past 6 months and have been struggling with all of the issues you get into in your lessons. I bought several books and lessons and plan to continue with some others as soon as I organize my practice routine. Thanks again for a great site … Read more
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I have found your videos and publications inspiring and your contribution to the world of saxophone playing is immense. Paul
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