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You are here: Home / Jazz Lessons / Stylistic Lessons / The Style of Charlie Parker-Major Bird Licks Lesson
The Style of Charlie Parker-Major Bird Licks Lesson

The Style of Charlie Parker-Major Bird Licks Lesson

Rated 5.00 out of 5 based on 1 customer rating
(1 customer review)

$9.99

SKU: 032 Category: Stylistic Lessons Tags: 12 keys, audio lesson, Charlie Parker, major patterns.jazz licks
  • Description
  • Reviews (1)
  • Lesson Sample

Description

In this lesson I show you what I consider the best Charlie Parker Licks over a Major chord. For years I studied out of the Omnibook but had a hard time transferring what I was learning into my improvisations. it wasn’t until I took apart the solos and took out my favorite licks and phrases and started working on them over the applicable chords that I started to really see success. In this lesson I share 35 of my favorite “Bird” licks that can be used over Major chords. All 35 licks are written out in all 12 keys. If you can master these you will be amazed at the progress you will see in your jazz playing. i demonstrate all 35 licks on my soprano to a major playalong and talk about how to practice them in all keys.   (Audio Lesson, 36 PDF pages of material  in all 12 keys)

1 review for The Style of Charlie Parker-Major Bird Licks Lesson

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    Rated 5 out of 5

    Stephen LaBrooy – April 16, 2011

    This is a great lesson, Steve shows considerable skill running out some of these licks. It was one of the first lessons that I downloaded 4 months ago and during this time I have left it on the shelf, I now feel my playing has progressed with an assortment of Steve’s lessons to the extent I will now be able to make some valuable progress with it

    Kindest Regards Stephen (selmerc*)

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Lesson Sample

https://public.neffmusic.com/Major%20Bird%20Licks%20clip.mp4

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Testimonials

I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron

Hello Steve,

I have not received my alto yet but have already gone through 14 lessons. I love your approach, style, knowledge and competence. I now regret so much to have stayed away from playing the sax for the past 45-50 years…(I am 65).  But It is never too late to get back to your first love. After 23 years in compuer sciences and 22 years in finances…I am now back to music for the rest of my life.

Doing some research on the net, I found this:

http://forum.saxontheweb.net/showthread.php?1… Read more

Claude
Thank you so much for the great job you are doing to help further our jazz studies. Though I make my living as a repairer of musical instruments I am a student of jazz and have been fortunate enough to be involved with a big band and a combo for the last several years. As my children began to leave “the nest” I had decided to dedicate the next half of my life to a more serious study of the sax but I didn’t know exactly how I would go about doing this until a friend of mine turned me onto your si… Read more
Jon
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray
I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.   I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more  bite sized way.
Milton

Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

Julia
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
I am a music book junkie and I have to say that your books are the most clear, user friendly, and helpful books I own.  They are my absolute favorites and I only wish I had them years ago.  I wouldn’t change a thing about the experience I had in acquiring my degree at Berklee, but my playing has perhaps grown more in the time I’ve spent buried in your books and lessons.  Keep up the great work!!! Thanks, John
John
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph

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