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You are here: Home / Jazz Lessons / The Blues / Jazz Blues-The Next Step Lesson
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Jazz Blues-The Next Step Lesson

Jazz Blues-The Next Step Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 014 Category: The Blues Tags: 12 bar blues, audio lesson, chords, jazz improvisation, jazz progression
  • Description
  • Reviews (2)
  • Lesson Sample

Description

Take your Blues to the next level! If you’ve been following my previous blues lessons and want to take it to the next level, or perhaps you can already play the basic blues and you want to learn how to get those great jazz sounds you hear when players like John Coltrane, Hank Mobley, Phil Woods and Sonny Rollins play the Blues, “Jazz Blues-The Next Step” will show you how to step up your Blues playing and start playing the Blues the way the jazz masters do.

You’ll learn the chords jazz players use over basic twelve bar blues progression and how you can use those simple chord tones to play a great jazz solo. I teach you each chord of the progression and demonstrate how to play it over the jazz blues progression and also how to practice it so that your playing becomes more relaxed and natural sounding.
As you learn the chords I demonstrate how you can highlight the different notes of each chord rather than just using blues scales. You learn how to make the changes the way the jazz masters do!
I show you how to use the defining notes of the chord, to really outline the changes and how to make smooth transitions from one chord to the next.
I also demonstrate and explain using the Flat 9 of the chord. Not only do I explain how to use the Flat 9, but I demonstrate it and teach you how to hear it, use it, and resolve it. The Flat 9 was a favorite of Charlie Parker and other great Jazz blues players. Learning to hear, play and use this note in your solos, is a great first step towards learning to use all those alterations and color tones that will make your playing sound more hip and modern.

Listen as I teach these concepts in exactly the same manner as if you were one of my own students sitting in the studio next to me. You’ll hear me explain each of these concepts in detail as I play each idea on the Tenor Saxophone.

These are the blues changes you’ll encounter most commonly on gigs and at jam sessions. Playing these jazz blues will teach you to play such common jazz changes as the basic “turnaround progression” that is found in just about every standard tune. Learning and playing these jazz blues changes and chord alterations over the familiar blues form, is a great way to become acquainted with the concepts and chord progressions you’ll encounter time and time again as you progress to studying the standard jazz repertoire.
I present and demonstrate these ideas in such a way that even if you’ve never played jazz changes before, you’ll very soon be playing comfortably over the jazz blues and making the changes.
Take that next step and start playing the Blues the way the great Jazz players do.  (Audio)

2 reviews for Jazz Blues-The Next Step Lesson

  1. Avatar
    Rated 5 out of 5

    Sneeky Jones – July 16, 2009

    If you like playing the blues, then you simply cannot afford to pass this lesson up. Neff demonstrates how to incorporate the b9, as well as more colorful chordal arrangements that are commonly used in sit ins and jam sessions. Combining the knowledge of all 4 blues lessons with the Abersold Dom. 7th workout, kept me sheddin’ for days! I also found out a lot about my own personal style when developing my own lines. I really enjoyed this lesson, and am very interested in future expansion

  2. Avatar
    Rated 5 out of 5

    Ken – July 21, 2009

    Really helped me to understand when and how to use the Blues Scale. I wish I new this information 20 years ago.

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Lesson Sample

https://public.neffmusic.com/Jazz%20Blues-The%20Next%20Step%20clip.mp4

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Thank You Steve. I think that I will be busy for years. Thank You for your great contribution to jazz music. Your books, more than teaching “how to play jazz”, actually teach “how to speak jazz”. I wish I found your methods years ago.  

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Hello Steve, I’m getting so much out of your lessons and books, amazing how much one may think one knows, there is always a new frontier or new way to view something you think you had somewhat down. You have taken it all to a new level and am so grateful. Your lessons are so down to earth and understandable and clear!  Thanks so much Steve! Cheers, Eddie

Eddie Parente
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

Your material is great! I got your New Altissimo Lesson 6 months ago and I have learned more from that than in all my 44 years of playing! I appreciate your down to earth teaching method and I really appreciate the heart that you teach with. I have been a subscriber to your lessons for the past 6 months and I have learned a great deal. Over that period of time I have had some questions and you have never failed to respond. Thanks! I have already recommended your lessons to a number of players in… Read more

Michael Byington
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
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John
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