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You are here: Home / Jazz Lessons / The Blues / Jazz Blues-The Next Step Lesson
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Jazz Blues-The Next Step Lesson

Jazz Blues-The Next Step Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 014 Category: The Blues Tags: 12 bar blues, audio lesson, chords, jazz improvisation, jazz progression
  • Description
  • Reviews (2)
  • Lesson Sample

Description

Take your Blues to the next level! If you’ve been following my previous blues lessons and want to take it to the next level, or perhaps you can already play the basic blues and you want to learn how to get those great jazz sounds you hear when players like John Coltrane, Hank Mobley, Phil Woods and Sonny Rollins play the Blues, “Jazz Blues-The Next Step” will show you how to step up your Blues playing and start playing the Blues the way the jazz masters do.

You’ll learn the chords jazz players use over basic twelve bar blues progression and how you can use those simple chord tones to play a great jazz solo. I teach you each chord of the progression and demonstrate how to play it over the jazz blues progression and also how to practice it so that your playing becomes more relaxed and natural sounding.
As you learn the chords I demonstrate how you can highlight the different notes of each chord rather than just using blues scales. You learn how to make the changes the way the jazz masters do!
I show you how to use the defining notes of the chord, to really outline the changes and how to make smooth transitions from one chord to the next.
I also demonstrate and explain using the Flat 9 of the chord. Not only do I explain how to use the Flat 9, but I demonstrate it and teach you how to hear it, use it, and resolve it. The Flat 9 was a favorite of Charlie Parker and other great Jazz blues players. Learning to hear, play and use this note in your solos, is a great first step towards learning to use all those alterations and color tones that will make your playing sound more hip and modern.

Listen as I teach these concepts in exactly the same manner as if you were one of my own students sitting in the studio next to me. You’ll hear me explain each of these concepts in detail as I play each idea on the Tenor Saxophone.

These are the blues changes you’ll encounter most commonly on gigs and at jam sessions. Playing these jazz blues will teach you to play such common jazz changes as the basic “turnaround progression” that is found in just about every standard tune. Learning and playing these jazz blues changes and chord alterations over the familiar blues form, is a great way to become acquainted with the concepts and chord progressions you’ll encounter time and time again as you progress to studying the standard jazz repertoire.
I present and demonstrate these ideas in such a way that even if you’ve never played jazz changes before, you’ll very soon be playing comfortably over the jazz blues and making the changes.
Take that next step and start playing the Blues the way the great Jazz players do.  (Audio)

2 reviews for Jazz Blues-The Next Step Lesson

  1. Avatar
    Rated 5 out of 5

    Sneeky Jones – July 16, 2009

    If you like playing the blues, then you simply cannot afford to pass this lesson up. Neff demonstrates how to incorporate the b9, as well as more colorful chordal arrangements that are commonly used in sit ins and jam sessions. Combining the knowledge of all 4 blues lessons with the Abersold Dom. 7th workout, kept me sheddin’ for days! I also found out a lot about my own personal style when developing my own lines. I really enjoyed this lesson, and am very interested in future expansion

  2. Avatar
    Rated 5 out of 5

    Ken – July 21, 2009

    Really helped me to understand when and how to use the Blues Scale. I wish I new this information 20 years ago.

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Lesson Sample

https://public.neffmusic.com/Jazz%20Blues-The%20Next%20Step%20clip.mp4

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Steve,

I have played for many years and have enjoyed going “back to the basics” in some of your lessons!  You have such a gift for explaining concepts.  As I have gotten older, some of the basic things have gotten muddled because I just play, not knowing why.  As I refresh myself with “why”, it increases my confidence and expands my playing.  Thank you so much for using your gift!  You are a blessing!

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After reading your story I will never feel quite right about complaining about any of my MINOR health issues!!    God bless Steve and I really hope that your health doesn’t stop you from fulfilling your calling.    These books have been such a help to open up my jazz vocabulary…   Thanks so much for sharing your story and for providing these great teaching tools…   John Leclerc   Saxophonist / composer/ EWI player and professional working musician of 35 years….

John Leclerc
Hey Steve, I’m a 22-year-old from Australia. I thought it would be worth saying. You’re an absolute legend. I can’t thank you enough. You have helped me rekindle my love for the saxophone and music as a whole. All the best for the future, your work doesn’t go unnoticed. PS. I am loving your devastating minor lines pdf.
Sapph
I bought Steve’s dominant bebop book and took a couple of online lesson from him. I really appreciated Steve’s careful listening of what I wanted to get done in a lesson and his clear, concise ideas on next steps to improve my playing and musical interpretation.  His mastering  the Dominant Bebop Scale has lots of exercises to use a scale that addresses the largest percentage of chords I come across in pop/blues music. The dominant V7.  Needless say it has improved my playing.  I teach and a… Read more
Keith
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
Thank you for the wealth of helpful lessons you’ve provided over the years.  I truly feel as though it has improved my playing more than the 4 years I spent at Berklee… and that’s not a slight on the school as I loved my experience there.
John
John
Thank you for all the educational information you provide.  I am a classically trained musician.  Professionally, I am a 4th and 5th grade band teacher.  I have played piano and sax for many years, but now I am starting to gig out more. I have always improvised by ear in the past. I have gotten by with my strong sense of pitch, rhythm and melodic contour. However, I want to go deeper. I want to play with a greater variety of melodic and rhythmic ideas to pull from.  I have studied to gain a … Read more
Ray

Love your lessons!  I have been using your lesson packages for many months now, and am learning a lot.  It is so perfect for me with a very busy adult schedule and difficulty in taking jazz/improv music lessons from reputable instructors who live and hour or more away from me.

Lenore
It is so refreshing to have a great player, who can provide lessons and examples in a manner which is understandable to most any enthusiastic saxophonist who is ready to improve. not just the, do this, do that, memorize this, memorize that… while all that is absolutely necessary, you go on to give reasons and examples to explain and validate why you have to do all of these things, the benefits, if you will… that is the key for me, you tell, explain, demonstrate, explain some more, you give perso… Read more
Cedric

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