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You are here: Home / Jazz Lessons / The Blues / Jazz Blues-The Next Step Lesson
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Jazz Blues-The Next Step Lesson

Jazz Blues-The Next Step Lesson

Rated 5.00 out of 5 based on 2 customer ratings
(2 customer reviews)

$9.99

SKU: 014 Category: The Blues Tags: 12 bar blues, audio lesson, chords, jazz improvisation, jazz progression
  • Description
  • Reviews (2)
  • Lesson Sample

Description

Take your Blues to the next level! If you’ve been following my previous blues lessons and want to take it to the next level, or perhaps you can already play the basic blues and you want to learn how to get those great jazz sounds you hear when players like John Coltrane, Hank Mobley, Phil Woods and Sonny Rollins play the Blues, “Jazz Blues-The Next Step” will show you how to step up your Blues playing and start playing the Blues the way the jazz masters do.

You’ll learn the chords jazz players use over basic twelve bar blues progression and how you can use those simple chord tones to play a great jazz solo. I teach you each chord of the progression and demonstrate how to play it over the jazz blues progression and also how to practice it so that your playing becomes more relaxed and natural sounding.
As you learn the chords I demonstrate how you can highlight the different notes of each chord rather than just using blues scales. You learn how to make the changes the way the jazz masters do!
I show you how to use the defining notes of the chord, to really outline the changes and how to make smooth transitions from one chord to the next.
I also demonstrate and explain using the Flat 9 of the chord. Not only do I explain how to use the Flat 9, but I demonstrate it and teach you how to hear it, use it, and resolve it. The Flat 9 was a favorite of Charlie Parker and other great Jazz blues players. Learning to hear, play and use this note in your solos, is a great first step towards learning to use all those alterations and color tones that will make your playing sound more hip and modern.

Listen as I teach these concepts in exactly the same manner as if you were one of my own students sitting in the studio next to me. You’ll hear me explain each of these concepts in detail as I play each idea on the Tenor Saxophone.

These are the blues changes you’ll encounter most commonly on gigs and at jam sessions. Playing these jazz blues will teach you to play such common jazz changes as the basic “turnaround progression” that is found in just about every standard tune. Learning and playing these jazz blues changes and chord alterations over the familiar blues form, is a great way to become acquainted with the concepts and chord progressions you’ll encounter time and time again as you progress to studying the standard jazz repertoire.
I present and demonstrate these ideas in such a way that even if you’ve never played jazz changes before, you’ll very soon be playing comfortably over the jazz blues and making the changes.
Take that next step and start playing the Blues the way the great Jazz players do.  (Audio)

2 reviews for Jazz Blues-The Next Step Lesson

  1. Avatar
    Rated 5 out of 5

    Sneeky Jones – July 16, 2009

    If you like playing the blues, then you simply cannot afford to pass this lesson up. Neff demonstrates how to incorporate the b9, as well as more colorful chordal arrangements that are commonly used in sit ins and jam sessions. Combining the knowledge of all 4 blues lessons with the Abersold Dom. 7th workout, kept me sheddin’ for days! I also found out a lot about my own personal style when developing my own lines. I really enjoyed this lesson, and am very interested in future expansion

  2. Avatar
    Rated 5 out of 5

    Ken – July 21, 2009

    Really helped me to understand when and how to use the Blues Scale. I wish I new this information 20 years ago.

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Lesson Sample

https://public.neffmusic.com/Jazz%20Blues-The%20Next%20Step%20clip.mp4

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Steve’s monthly lessons are entirely valuable. Without brow beating, he tells you all the stuff you deep down know you really should be working on, instead of just relying on the same old patterns. In spite of the fact that you’re taking a video lesson, Steve’s presentation is comfortable and “real”. In a little more than a year, he’s developed a library of lessons that seem to offer any player a lifetime’s worth of practice material. I’m just glad I stumbled upon it.… Read more
Grant
Your lessons on playing the blues is so clear . I have been through many books on blues playing and not one of them explains as clear as your lessons . Most of them say “Play the same blues scale over all three chords of a 12 bar blues ” Its very misleading .     Thanks
Martin

I am enjoying your style of teaching, and you’ve done a great job with the videos….good sound quality and well constructed lessons.  Balances the more guitaristic material found on the majority of guitar based programs.  Jazz vocab is what I’m all about at this point in the journey.  I especially dig the fact that you’ve studied with Bergonzi…helps me see his voluminous output in a more bite sized way.

Milton
Just wanted to send you a quick note to say thank you for being you, your playing, your website and your desire to help others. I’m a professional musician in the US Army and I’ve visited your website almost every day since discovering it a couple of months ago. Your lessons are profound and easy to use. I’ve purchased most of your PDF books and now am starting to delve more into the video and audio lessons.  Thank you for being a great resource!
James
I have been a member of Neffmusic for more than a year now and have enjoyed every minute of it! I have not only been going thru the Dominant Bebop Scale lessons and book (OUTSTANDING!) but the mouthpiece reviews, solo clips and transcriptions are very interesting. Steve approach to beginning and intermediate improv have given me many new pathways to teach my high school jazz ensemble students. Congratulations Steve, great product!
Craig
I can see from your instructional videos that you are a fantastic teacher – one that can truly relate to all ages – humble yet very positive in approach – never coming across as superior and yet so totally capable of demonstrating the principles and techniques that you seek to impart to the students. I have gained so much confidence in my playing from “pouring over” time and again these invaluable lessons. Invaluable not only in musical content, but also in human interaction content. I am absolu… Read more
Ron

Hi Steve,

First, I want to thank you for all of your great lessons. They are like a “For Dummies” version of all the books on my shelf. The lessons break things down into manageable pieces, and give me the confidence that I’m practicing the right pieces. I’m starting to make progress.   Thank You,   Kim

Kim
I like so many other subscribers feel so encouraged by Steve’s learning techniques; you will enjoy reading the comments of praise others have left as you too will feel that you share a common view and path. I feel very lucky to have come across Neffmusic and that feeling will remain with you as you search through a treasure trove of learning materials on offer, you will quickly find the lessons that you are suited to. You will instantly recognize the unparalleled quality of Steve’s teaching … Read more
Stephen
Hey Steve, My name is Jason Freese and I play keyboards and sax in the band Green Day.  I grew up taking sax lessons from Eric Marienthal when I was a kid and got out of it for a long time. I ran into you on youtube while searching for sax stuff. I bought a whole bunch of your lessons and have been loving it! Thanks! Here is my wikipedia so you can see the albums I’ve played on….Thanks again. It’s sparked my interest in practicing again.   Jason
Jason Freese (sax player for Green Day)
Your major diatonic patterns book is great. I”m studying the first twenty patterns (first twenty pages) each day with different articulation each day and slowly increasing the tempo each week or so.  There is a noticeable improvement in finger coordination across all keys and its amazing how much more secure I feel on the difficult keys when attempting to play pieces with 5+ flats/sharps. I’m able to sort out the fingerings for these pieces now much more quickly than before, often in one or two … Read more
Geoff

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